Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - Počet stran: 472 Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
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Strana 30
... film/television is highly selective and perfunctorily brief. For a thorough stage history of the play, however, consult these major works: Carol J. Carlisle. Shakespeare from the GreenroomxActors'Criticisms of Four Major Tragedies ...
... film/television is highly selective and perfunctorily brief. For a thorough stage history of the play, however, consult these major works: Carol J. Carlisle. Shakespeare from the GreenroomxActors'Criticisms of Four Major Tragedies ...
Strana 35
... film/stage productions of Othello. The currency of representation has been varied in a post-Empire capitalistic society. In 1940, Donald Wolfit “rejected the light brown color of his predecessors and represented Othello as a curly ...
... film/stage productions of Othello. The currency of representation has been varied in a post-Empire capitalistic society. In 1940, Donald Wolfit “rejected the light brown color of his predecessors and represented Othello as a curly ...
Strana 36
... film version, Welles's Othello was “a very light-complexioned, not at all rude or exotic in speech or manner, [with] little emphasis given to lines that evoke his strangeness or cultural alterity” (Donaldson, 118). Similarly, Abraham ...
... film version, Welles's Othello was “a very light-complexioned, not at all rude or exotic in speech or manner, [with] little emphasis given to lines that evoke his strangeness or cultural alterity” (Donaldson, 118). Similarly, Abraham ...
Strana 40
... film) played Othello for the first time in his career at the Festival Theatre at Stratford, Cormecticut, and then at the ANTA Theatre in New York, directed by Michael Kahn. While the actor was generally praised for his interpretation ...
... film) played Othello for the first time in his career at the Festival Theatre at Stratford, Cormecticut, and then at the ANTA Theatre in New York, directed by Michael Kahn. While the actor was generally praised for his interpretation ...
Strana 48
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U této knihy jste dosáhli svého limitního počtu zobrazení..
Obsah
1 | |
The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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