Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - Počet stran: 472 Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
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Strana 8
... Bianca, and Roderigo indirectly. Othello Perhaps the most problematic presence in Othello is the Moor himself. His very place in the script is uncertain and unstable. Michael Billington asks an oft-heard question in Othello criticism ...
... Bianca, and Roderigo indirectly. Othello Perhaps the most problematic presence in Othello is the Moor himself. His very place in the script is uncertain and unstable. Michael Billington asks an oft-heard question in Othello criticism ...
Strana 21
... Bianca, and Barbary as well—in volumes edited by Margaret Ferguson, Maureen Quilligan, and Nancy Vickers; and Peter Erickson and Coppelia Kahn, to cite only two. Desdemona is the victim of patriarchy (her father's, Othello's, the Duke's ...
... Bianca, and Barbary as well—in volumes edited by Margaret Ferguson, Maureen Quilligan, and Nancy Vickers; and Peter Erickson and Coppelia Kahn, to cite only two. Desdemona is the victim of patriarchy (her father's, Othello's, the Duke's ...
Strana 22
... Bianca” (“white”) for the character most explicitly linked to that taint and that releases the “demon” within her own name. “Desdemon” (as she is called by Othello in Vii.25) sings . . . of a “maid call'd Barbary” (IViii.26) while ...
... Bianca” (“white”) for the character most explicitly linked to that taint and that releases the “demon” within her own name. “Desdemon” (as she is called by Othello in Vii.25) sings . . . of a “maid call'd Barbary” (IViii.26) while ...
Strana 36
... Bianca were Caucasian while the rest of the cast was black. Sujata Iyengar studies this production, and offers appropriate photographs, in her essay for this volume. As a rule, directors have avoided casting a Caucasian as Othello ...
... Bianca were Caucasian while the rest of the cast was black. Sujata Iyengar studies this production, and offers appropriate photographs, in her essay for this volume. As a rule, directors have avoided casting a Caucasian as Othello ...
Strana 44
... Bianca was played by a black actor (Shawn Judge) as was one of the Venetian officers (James A. Williams). Winfield's 1993 Othello, however, was far different from the one he performed in Atlanta in 1979. Audiences at the Guthrie saw “a ...
... Bianca was played by a black actor (Shawn Judge) as was one of the Venetian officers (James A. Williams). Winfield's 1993 Othello, however, was far different from the one he performed in Atlanta in 1979. Audiences at the Guthrie saw “a ...
Obsah
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The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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