Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - Počet stran: 472 Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello:Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
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Strana 1
... Cassio, Othello; (g) class warfare—Iago, the underdog, Othello, the outsider. Inescapably, Othello is a cultural seismograph, measuring the extent and force of gender, racial, or class upheavals in any society that performs the script ...
... Cassio, Othello; (g) class warfare—Iago, the underdog, Othello, the outsider. Inescapably, Othello is a cultural seismograph, measuring the extent and force of gender, racial, or class upheavals in any society that performs the script ...
Strana 12
... Cassio's places, Othello himself become's “occupied territory” (“Changing Places in Othello,”129). The noble Moor, the defender of Venice, becomes by his own accusation a “malignant and turbanned Turk,” whom he “smote . . . thus” (5.2 ...
... Cassio's places, Othello himself become's “occupied territory” (“Changing Places in Othello,”129). The noble Moor, the defender of Venice, becomes by his own accusation a “malignant and turbanned Turk,” whom he “smote . . . thus” (5.2 ...
Strana 18
... Cassio's greeting Desdemona to Cyprus as “a prayer to the Virgin” (351). For Robert G. Hunter, Desdemona is “a natural embodiment of grace apparently untainted by original sin (136). Carroll Camden lauded Desdemona for her conjugal ...
... Cassio's greeting Desdemona to Cyprus as “a prayer to the Virgin” (351). For Robert G. Hunter, Desdemona is “a natural embodiment of grace apparently untainted by original sin (136). Carroll Camden lauded Desdemona for her conjugal ...
Strana 28
... Cassio's dream and Desdemona's stolen hours of lust. Iago can also perform comedy routines marvelously well, according to Susan Synder who contends that Othello contains the vestigia of the comic turning tragic-Iago is the “clown ...
... Cassio's dream and Desdemona's stolen hours of lust. Iago can also perform comedy routines marvelously well, according to Susan Synder who contends that Othello contains the vestigia of the comic turning tragic-Iago is the “clown ...
Strana 30
Critical Essays Philip Kolin. both suffer from jealousy; both engineer the death of Cassio; both carry a lantern of revenge and dress in nightshirts in act 5.2.; and both kill their wives. Maud Bodkin argued that Iago is the darker side ...
Critical Essays Philip Kolin. both suffer from jealousy; both engineer the death of Cassio; both carry a lantern of revenge and dress in nightshirts in act 5.2.; and both kill their wives. Maud Bodkin argued that Iago is the darker side ...
Obsah
1 | |
The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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