Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - Počet stran: 472 Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello:Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
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Critical Essays Philip Kolin. NEW CRITICAL ESSAYS EDITED BY PHILIP C. KOLIN ROUTLEDGE NEW YORK AND LONDON Published in 2002 by Routledge 270 Madison Ave, New York OTHELLO Title Page.
Critical Essays Philip Kolin. NEW CRITICAL ESSAYS EDITED BY PHILIP C. KOLIN ROUTLEDGE NEW YORK AND LONDON Published in 2002 by Routledge 270 Madison Ave, New York OTHELLO Title Page.
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... London Stage Would Expect Protest in America.” In this story, Robeson was quoted as saying: “If any one does object to our [his and Peggy Ashcroft's Desdemona's] love making, the objection almost certainly will have to come from America ...
... London Stage Would Expect Protest in America.” In this story, Robeson was quoted as saying: “If any one does object to our [his and Peggy Ashcroft's Desdemona's] love making, the objection almost certainly will have to come from America ...
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... when he countered Ralph Richardson's Othello in 1937 with a fandango of homoerotic behaviors that London audiences neither understood nor approved. Beyond doubt, though, Iago is mired in things of the Blackness Made Visible 2 7.
... when he countered Ralph Richardson's Othello in 1937 with a fandango of homoerotic behaviors that London audiences neither understood nor approved. Beyond doubt, though, Iago is mired in things of the Blackness Made Visible 2 7.
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... London: Macmillan, 1984. Richard Burbage, the first Othello, played the role in blackface, no doubt to capture the assonance of the part. Virginia Mason Vaughan's Othello: A Contextual History sensitively explores Jacobean ...
... London: Macmillan, 1984. Richard Burbage, the first Othello, played the role in blackface, no doubt to capture the assonance of the part. Virginia Mason Vaughan's Othello: A Contextual History sensitively explores Jacobean ...
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... London's Savoy, (b) with José Ferrer's Iago and Uta Hagen's Desdemona in the 1943—1944 Theatre Guild production on Broadway, directed by Margaret Webster, and (c) at Stratfordupon-Avon in 1959, making Robeson the first black actor to ...
... London's Savoy, (b) with José Ferrer's Iago and Uta Hagen's Desdemona in the 1943—1944 Theatre Guild production on Broadway, directed by Margaret Webster, and (c) at Stratfordupon-Avon in 1959, making Robeson the first black actor to ...
Obsah
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The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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