Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - Počet stran: 472 Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
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Strana 3
... Moor's horrible deed put audiences of Ludwig Schroeder's adaptation of Othello in a state of turmoil. This spectacle on stage: . . . exceeded by far what the nerves of the men of Hamburg, and even more those of the women...could bear ...
... Moor's horrible deed put audiences of Ludwig Schroeder's adaptation of Othello in a state of turmoil. This spectacle on stage: . . . exceeded by far what the nerves of the men of Hamburg, and even more those of the women...could bear ...
Strana 4
... Moor. (Othello, 12) Conversely, when the Russian actor Alexander Ostuzhev (1874-1953) voiced Othello's bloody threats in his last speech, a man in the audience shouted: “It wasn't his fault: his kind of love could burn up a city.” This ...
... Moor. (Othello, 12) Conversely, when the Russian actor Alexander Ostuzhev (1874-1953) voiced Othello's bloody threats in his last speech, a man in the audience shouted: “It wasn't his fault: his kind of love could burn up a city.” This ...
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... Moors look and talk and love, give me a Moor for a husband” (quoted in Pechter, Othello, 12). And G. K. Hunter, quoting from the Variorum, analyzes a comment from a nineteenth-century Maryland lady who outlandishly stated, “In studying ...
... Moors look and talk and love, give me a Moor for a husband” (quoted in Pechter, Othello, 12). And G. K. Hunter, quoting from the Variorum, analyzes a comment from a nineteenth-century Maryland lady who outlandishly stated, “In studying ...
Strana 8
... Moor's fortunes, especially the resistance to and the reaction against his character. The most recent (and perhaps ... Moor himself. His very place in the script is uncertain and unstable. Michael Billington asks an oft-heard question in ...
... Moor's fortunes, especially the resistance to and the reaction against his character. The most recent (and perhaps ... Moor himself. His very place in the script is uncertain and unstable. Michael Billington asks an oft-heard question in ...
Strana 9
... Moor's fortunes among the critics. For nearly 300 years, Othello enjoyed a reputation as the “noble Moor.” Dr. Johnson praised him as “magnanimous, artless, and credulous, boundless in his confidence, ardent in his affection, inflexible ...
... Moor's fortunes among the critics. For nearly 300 years, Othello enjoyed a reputation as the “noble Moor.” Dr. Johnson praised him as “magnanimous, artless, and credulous, boundless in his confidence, ardent in his affection, inflexible ...
Obsah
1 | |
The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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