Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - Počet stran: 472 Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
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Strana 5
... Renaissance Drama,” 7). Beyond a doubt, Othello has been exploited as a mirror of the times. These contradictory reactions—from prejudiced outrage to fascination over sexual crimes—document “our willingness, even eagerness, to engage ...
... Renaissance Drama,” 7). Beyond a doubt, Othello has been exploited as a mirror of the times. These contradictory reactions—from prejudiced outrage to fascination over sexual crimes—document “our willingness, even eagerness, to engage ...
Strana 14
... is a “cultural artifact” and “the way Renaissance audiences perceived race may be far more complex than stereotypes indicate” (23). Historically, it has been all too easy to demonize Othello racially. Even though Queen I4 Othello.
... is a “cultural artifact” and “the way Renaissance audiences perceived race may be far more complex than stereotypes indicate” (23). Historically, it has been all too easy to demonize Othello racially. Even though Queen I4 Othello.
Strana 15
... Renaissance antiracist sentiments were voiced, especially by Montaigne, thus mitigating a universal attack against people of color (Shakespeare AgainstApartheid, 71). Patrick C. Hogan goes so far as to claim: “Shakespeare, it seems, was ...
... Renaissance antiracist sentiments were voiced, especially by Montaigne, thus mitigating a universal attack against people of color (Shakespeare AgainstApartheid, 71). Patrick C. Hogan goes so far as to claim: “Shakespeare, it seems, was ...
Strana 18
... Renaissance mythologies later in this volume.) S. N. Garner identifies the reason for the glorification of Desdemona: “Many critics and scholars come to Shakespeare 's play with the idea that Desdemona ought to be pure and virtuous and ...
... Renaissance mythologies later in this volume.) S. N. Garner identifies the reason for the glorification of Desdemona: “Many critics and scholars come to Shakespeare 's play with the idea that Desdemona ought to be pure and virtuous and ...
Strana 20
... Renaissance stage. “On the one hand, the clothes themselves~the marks of Desdemona's gender and status—are held up to our attention; on the other, we teeter on the brink of seeing the boy's breastless but 'pinned' body revealed” (77) ...
... Renaissance stage. “On the one hand, the clothes themselves~the marks of Desdemona's gender and status—are held up to our attention; on the other, we teeter on the brink of seeing the boy's breastless but 'pinned' body revealed” (77) ...
Obsah
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The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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