Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - Počet stran: 472 Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
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Výsledky 1-5 z 86
Strana vii
... Venetian Ideology or Transversal Power? 203 lago's Motives and the Means by which Othello Falls BRYAN REYNOLDS AND JOSEPH FITZPATRICK Othello: Portrait of a Marriage 221 DAvID BEVINGTON “Truly, an obedient lady”: 233 Desdemona, Emilia ...
... Venetian Ideology or Transversal Power? 203 lago's Motives and the Means by which Othello Falls BRYAN REYNOLDS AND JOSEPH FITZPATRICK Othello: Portrait of a Marriage 221 DAvID BEVINGTON “Truly, an obedient lady”: 233 Desdemona, Emilia ...
Strana 9
... Venetian, an Arab, or a blackamoor? Is he as much a Spaniard as an African, as Barbara Everett maintains (“'Spanish' Othello,” 101)? Later in this collection, James Andreas traces Othello's Judaic roots. Is Othello's hybridism a garland ...
... Venetian, an Arab, or a blackamoor? Is he as much a Spaniard as an African, as Barbara Everett maintains (“'Spanish' Othello,” 101)? Later in this collection, James Andreas traces Othello's Judaic roots. Is Othello's hybridism a garland ...
Strana 15
... traveler and instrument of the Venetian state, fair and black——needs to be seen and re-seen in light of these multivalent cultural codes and symbols. Desdemona Desdemona, “the fair devil,” is caught in the play's Blackness Made Visible 15.
... traveler and instrument of the Venetian state, fair and black——needs to be seen and re-seen in light of these multivalent cultural codes and symbols. Desdemona Desdemona, “the fair devil,” is caught in the play's Blackness Made Visible 15.
Strana 17
... Venetian citizen, counselor/friend, feminine confidante, martyr, and even seductress Desdemona challenges and provokes. Adamson conveniently labels Desdemona's critics as “allegorizers,” “psychoanalyzers,” and “anti-feminists ...
... Venetian citizen, counselor/friend, feminine confidante, martyr, and even seductress Desdemona challenges and provokes. Adamson conveniently labels Desdemona's critics as “allegorizers,” “psychoanalyzers,” and “anti-feminists ...
Strana 21
... Venetian and a kinsman, is crucial in the play 's exposure of this pattern. (356) Othello in general and Desdemona in paiticular have been the subject of judicious feminist criticism. Many critics, but especially feminists, have studied ...
... Venetian and a kinsman, is crucial in the play 's exposure of this pattern. (356) Othello in general and Desdemona in paiticular have been the subject of judicious feminist criticism. Many critics, but especially feminists, have studied ...
Obsah
1 | |
The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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