Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - Počet stran: 472 Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
Vyhledávání v knize
Výsledky 1-5 z 34
Strana vii
... Audience's Role in Othello 89 HUGH MACRAE RICHMOND White Faces, Blackface: 103 The Production of “Race” in Othello SUJATA IYENOAR Images of White Identity in Othello 133 PETER ERICKSON “Words and Performances”: 147 Roderigo and the ...
... Audience's Role in Othello 89 HUGH MACRAE RICHMOND White Faces, Blackface: 103 The Production of “Race” in Othello SUJATA IYENOAR Images of White Identity in Othello 133 PETER ERICKSON “Words and Performances”: 147 Roderigo and the ...
Strana 2
... audience's demand to have their worst anxieties calmed, and quieted through excision. What editors and actors have tried to quarantine has erupted into pain and anger for audiences over the centuries. Marvin Rosenberg documents several ...
... audience's demand to have their worst anxieties calmed, and quieted through excision. What editors and actors have tried to quarantine has erupted into pain and anger for audiences over the centuries. Marvin Rosenberg documents several ...
Strana 6
... audiences fall into a trap of culpability. The history of Othello on stage might conveniently be seen as a continuing ... audience's sympathy for him, Anthony Gerard Barthelemy aptly pointed out: Our sympathy for Othello, however, is ...
... audiences fall into a trap of culpability. The history of Othello on stage might conveniently be seen as a continuing ... audience's sympathy for him, Anthony Gerard Barthelemy aptly pointed out: Our sympathy for Othello, however, is ...
Strana 20
... audience “unsettled” (“Transvestism,” 73) about closure, “radically uncertain” (77) about what they do and do not see on ... audience's sexual fixation is so uncertain” (78). Desdemona has not even been allowed to die “a guiltless death ...
... audience “unsettled” (“Transvestism,” 73) about closure, “radically uncertain” (77) about what they do and do not see on ... audience's sexual fixation is so uncertain” (78). Desdemona has not even been allowed to die “a guiltless death ...
Strana 23
... audience's awareness of marriage customs. Harry Berger assesses the handkerchief in light of jealousy and marriage. Tracing the iconography of the handkerchief, Lynda E. Boose explicates how Shakespeare dynamically fuses “handkerchief ...
... audience's awareness of marriage customs. Harry Berger assesses the handkerchief in light of jealousy and marriage. Tracing the iconography of the handkerchief, Lynda E. Boose explicates how Shakespeare dynamically fuses “handkerchief ...
Obsah
1 | |
The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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