Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - Počet stran: 472 Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
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Výsledky 1-5 z 70
Strana 6
... actors have often switched roles, one night taking Othello, the next Iago, as Edwin ... actor, put his finger on this very problem noting that he had to act “the ... (Black Face, Malignea1 Race, 70) On the other hand, If we heed Iago too ...
... actors have often switched roles, one night taking Othello, the next Iago, as Edwin ... actor, put his finger on this very problem noting that he had to act “the ... (Black Face, Malignea1 Race, 70) On the other hand, If we heed Iago too ...
Strana 11
... black Othello as a 'Shakespearean' tragic hero” (122). Kent Cartwright, however, studies Othello in “his double role ... actor's physical presence as a strong military commander, a man of valor. Early studies such as those by Henry J ...
... black Othello as a 'Shakespearean' tragic hero” (122). Kent Cartwright, however, studies Othello in “his double role ... actor's physical presence as a strong military commander, a man of valor. Early studies such as those by Henry J ...
Strana 13
... black man is ruined by his fatal attraction for a white girl? Or is it racism in robes, with Othello, the heroic ... actor in the role, according to Pechter, raises major problems for audiences: such an actor “simply transfers the ...
... black man is ruined by his fatal attraction for a white girl? Or is it racism in robes, with Othello, the heroic ... actor in the role, according to Pechter, raises major problems for audiences: such an actor “simply transfers the ...
Strana 14
... Blacks,” 9). Yet the white actor “can become one with the victim, black like him—a reversal and repetition of Mary Preston's notorious claim that he was white like her . . . The uphill struggle for black representation in elite culture ...
... Blacks,” 9). Yet the white actor “can become one with the victim, black like him—a reversal and repetition of Mary Preston's notorious claim that he was white like her . . . The uphill struggle for black representation in elite culture ...
Strana 16
... black' perspective on the play” (15). Earlier critics such as A. C. Bradley or E. E. Stoll sentimentalized Desdemona ... actors have frequently empowered her through bold deeds and even bolder words, recouping for her greater ...
... black' perspective on the play” (15). Earlier critics such as A. C. Bradley or E. E. Stoll sentimentalized Desdemona ... actors have frequently empowered her through bold deeds and even bolder words, recouping for her greater ...
Obsah
1 | |
The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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