Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - Počet stran: 472 Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
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Strana 18
... female character—prone to duplicity and deception” (44). Though Davison applauds Desdemona for her honest sexuality and readily admits men's sensual attraction to her, he accuses her and Othello of the same “error of judgement” that ...
... female character—prone to duplicity and deception” (44). Though Davison applauds Desdemona for her honest sexuality and readily admits men's sensual attraction to her, he accuses her and Othello of the same “error of judgement” that ...
Strana 22
... female identity is constructed” (148). Studying courtesy books and conduct manuals, Catherine Belsey explicates views of marriage (Othello's to Desdemona) according to the Law of the Fathers, in which desire was to be contained and ...
... female identity is constructed” (148). Studying courtesy books and conduct manuals, Catherine Belsey explicates views of marriage (Othello's to Desdemona) according to the Law of the Fathers, in which desire was to be contained and ...
Strana 23
... female characters in the tragedies, Desdemona, like Ophelia and Lady Macbeth, “retreats into a kind of speech which she herself cannot interpret” (165). Avoiding sexual language, Desdemona unintentionally uses ambiguity which Othello ...
... female characters in the tragedies, Desdemona, like Ophelia and Lady Macbeth, “retreats into a kind of speech which she herself cannot interpret” (165). Avoiding sexual language, Desdemona unintentionally uses ambiguity which Othello ...
Strana 27
... female place” to Othello's jealous gaze (“Fantasies,” 92). As we saw, feminist critics such as Carol Thomas Neely and Coppelia Kahn have denounced Iago's attacks on Women as reflections of an oppressive patriarchy. But Iago also crosses ...
... female place” to Othello's jealous gaze (“Fantasies,” 92). As we saw, feminist critics such as Carol Thomas Neely and Coppelia Kahn have denounced Iago's attacks on Women as reflections of an oppressive patriarchy. But Iago also crosses ...
Strana 30
... female victim Desdemona.” Focusing on psychic kinships as well, Kenneth Muir advocates that “the two main characters exemplify opposing principles which together constitute the human psyche.” Comparing Othello and Iago, F. R. Leavis ...
... female victim Desdemona.” Focusing on psychic kinships as well, Kenneth Muir advocates that “the two main characters exemplify opposing principles which together constitute the human psyche.” Comparing Othello and Iago, F. R. Leavis ...
Obsah
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The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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