Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - Počet stran: 472 Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
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Strana vii
... Gender in Othello JOHN R. FORD The Curse of Cush: 169 Othello's Judaic Ancestry JAMES R. ANDREAS, SR. Relating Things to the State: 189 “The State” and the Subject of Othello THOMAS MOISAN Venetian Ideology or Transversal Power? 203 ...
... Gender in Othello JOHN R. FORD The Curse of Cush: 169 Othello's Judaic Ancestry JAMES R. ANDREAS, SR. Relating Things to the State: 189 “The State” and the Subject of Othello THOMAS MOISAN Venetian Ideology or Transversal Power? 203 ...
Strana 1
... gender, racial, or class upheavals in any society that performs the script. Historically, audiences have inscribed themselves in the text: Othello has been unpacked in their discomfitures. Propelled into the play, audiences have been ...
... gender, racial, or class upheavals in any society that performs the script. Historically, audiences have inscribed themselves in the text: Othello has been unpacked in their discomfitures. Propelled into the play, audiences have been ...
Strana 4
... (Gender). Sending even more into the docket of the guilty, Ruth Vanita claims that “Desdemona is killed not only by Othello and Iago but by all those who see her humiliated and beaten in public, and fail to intervene” ('“Proper Men' and ...
... (Gender). Sending even more into the docket of the guilty, Ruth Vanita claims that “Desdemona is killed not only by Othello and Iago but by all those who see her humiliated and beaten in public, and fail to intervene” ('“Proper Men' and ...
Strana 7
... gender studies, post-colonial protests, and postmodern semantics. The following comments do not propose to survey all Othello criticism; they are meant only to highlight, to categorize, and to elaborate upon what many critics and ...
... gender studies, post-colonial protests, and postmodern semantics. The following comments do not propose to survey all Othello criticism; they are meant only to highlight, to categorize, and to elaborate upon what many critics and ...
Strana 20
... gender and status—are held up to our attention; on the other, we teeter on the brink of seeing the boy's breastless but 'pinned' body revealed” (77). Playgoers are caught in “contradictory fixations . . . precisely because the site of ...
... gender and status—are held up to our attention; on the other, we teeter on the brink of seeing the boy's breastless but 'pinned' body revealed” (77). Playgoers are caught in “contradictory fixations . . . precisely because the site of ...
Obsah
1 | |
The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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