Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - Počet stran: 472 Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
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Strana xi
... interpretations of Shakespeare's works. Each volume in the series is devoted to a Shakespearean play or poem (e. g. ... interpretation. Interviews with directors and/ or actors are also part of some volumes in the series. At least one ...
... interpretations of Shakespeare's works. Each volume in the series is devoted to a Shakespearean play or poem (e. g. ... interpretation. Interviews with directors and/ or actors are also part of some volumes in the series. At least one ...
Strana 2
... interpretations as if they were as strong a proof as holy writ. As Edward Pechter, one of the most perceptive Othello ... Interpretation”: “Real art has the capacity to make us nervous.” And as Davison further notes, “What is certain is ...
... interpretations as if they were as strong a proof as holy writ. As Edward Pechter, one of the most perceptive Othello ... Interpretation”: “Real art has the capacity to make us nervous.” And as Davison further notes, “What is certain is ...
Strana 14
... interpretations of white/black in the play and in art later in this collection. Some critics have overlooked Othello's ancestry to view him as a universal protagonist. Robert B. Heilman, for example, asserts “Othello is not a treatise ...
... interpretations of white/black in the play and in art later in this collection. Some critics have overlooked Othello's ancestry to view him as a universal protagonist. Robert B. Heilman, for example, asserts “Othello is not a treatise ...
Strana 23
... interpret” (165). Avoiding sexual language, Desdemona unintentionally uses ambiguity which Othello turns against her. Unlike the manipulative men—Iago or Othello— Desdemona “never gives any indication that she herself is aware of the ...
... interpret” (165). Avoiding sexual language, Desdemona unintentionally uses ambiguity which Othello turns against her. Unlike the manipulative men—Iago or Othello— Desdemona “never gives any indication that she herself is aware of the ...
Strana 32
... interpretations, John Quincy Adams, similarly maintained: “The great moral lesson of the tragedy of Othello is that black and white blood cannot be intermingled in marriage without a gross outrage upon the law of Nature . . . and that ...
... interpretations, John Quincy Adams, similarly maintained: “The great moral lesson of the tragedy of Othello is that black and white blood cannot be intermingled in marriage without a gross outrage upon the law of Nature . . . and that ...
Obsah
1 | |
The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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