Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - Počet stran: 472 Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
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Strana 6
... patriarchal platitudes. His position is a sort of mediator between audience and action and his oftcommented upon role as producer of the play within the play is crucial. He undoubtedly articulates many of the viewers' common sense ...
... patriarchal platitudes. His position is a sort of mediator between audience and action and his oftcommented upon role as producer of the play within the play is crucial. He undoubtedly articulates many of the viewers' common sense ...
Strana 21
... patriarchal rights whereby owning herself she is free to give her honor away to whom she pleases (“Patriarchal Territories,” 137). Paul Yachnin concludes that Desdemona is fetishized into “the treasure of land. . . .as solid and ...
... patriarchal rights whereby owning herself she is free to give her honor away to whom she pleases (“Patriarchal Territories,” 137). Paul Yachnin concludes that Desdemona is fetishized into “the treasure of land. . . .as solid and ...
Strana 22
... Patriarchal Territories,” 77478). Richard P. Wheeler ironically points out that to become Othello's partner in his marriage bed, Desdemona must “unwittingly undermine the very heroic identity he has invested in her” ('“And my loud ...
... Patriarchal Territories,” 77478). Richard P. Wheeler ironically points out that to become Othello's partner in his marriage bed, Desdemona must “unwittingly undermine the very heroic identity he has invested in her” ('“And my loud ...
Strana 24
... Patriarchal Territories”). Naomi Scheman posits that the handkerchief is really a shifting signifier, at first symbolizing Desdemona's power over Othello, a maternal sign, and then becoming a paternal sign in act 5. Two more recent ...
... Patriarchal Territories”). Naomi Scheman posits that the handkerchief is really a shifting signifier, at first symbolizing Desdemona's power over Othello, a maternal sign, and then becoming a paternal sign in act 5. Two more recent ...
Strana 25
... Patriarchal Territories,” 139). Trying to fix Iago is impossible. He leaves us in mysterious silence. John Bayley resolutely affirmed that “Iago maintains to the end the dreadful integrity of his own innocence—in spite of~—or perhaps ...
... Patriarchal Territories,” 139). Trying to fix Iago is impossible. He leaves us in mysterious silence. John Bayley resolutely affirmed that “Iago maintains to the end the dreadful integrity of his own innocence—in spite of~—or perhaps ...
Obsah
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The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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