Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - Počet stran: 472 Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
Vyhledávání v knize
Výsledky 1-5 z 95
Strana vii
... Production of “Race” in Othello SUJATA IYENOAR Images of White Identity in Othello 133 PETER ERICKSON “Words and Performances”: 147 Roderigo and the Mixed Dramaturgy of Race and Gender in Othello JOHN R. FORD The Curse of Cush: 169 ...
... Production of “Race” in Othello SUJATA IYENOAR Images of White Identity in Othello 133 PETER ERICKSON “Words and Performances”: 147 Roderigo and the Mixed Dramaturgy of Race and Gender in Othello JOHN R. FORD The Curse of Cush: 169 ...
Strana xi
... productions and proceeding to the most recent. These essays, which ultimately provide a theatre history of the play, should not be regarded as different from or rigidly isolated from the critical work xi General Editor's Introduction.
... productions and proceeding to the most recent. These essays, which ultimately provide a theatre history of the play, should not be regarded as different from or rigidly isolated from the critical work xi General Editor's Introduction.
Strana xii
... productions. Over the last thirty years or so Shakespeare criticism has understandably been labeled “The Age of Performance.” Readers will find information in these essays on non-English speaking productions of Shakespeare's plays as ...
... productions. Over the last thirty years or so Shakespeare criticism has understandably been labeled “The Age of Performance.” Readers will find information in these essays on non-English speaking productions of Shakespeare's plays as ...
Strana 2
... production further documents an audience's demand to have their worst anxieties calmed, and quieted through excision. What editors and actors have tried to quarantine has erupted into pain and anger for audiences over the centuries ...
... production further documents an audience's demand to have their worst anxieties calmed, and quieted through excision. What editors and actors have tried to quarantine has erupted into pain and anger for audiences over the centuries ...
Strana 7
... produce his voice have added immeasurably to the energy of interpretive response to the play. . . . The privileges of ... production of Othello in 1954, starring Anthony Quayle as the Moor and Raymond Westwell as Iago, Richard David ...
... produce his voice have added immeasurably to the energy of interpretive response to the play. . . . The privileges of ... production of Othello in 1954, starring Anthony Quayle as the Moor and Raymond Westwell as Iago, Richard David ...
Obsah
1 | |
The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
African Aldridge audience audience’s Bianca black actor black Othello blackface Brabantio Cambridge University Press Cassio cast character Christian Critical Essays cultural Cyprus define demona Desdemona Drama Duke Duke’s early modern Elizabethan ello ello’s Emilia English ethical father female figure film final finally find first fit foul papers gender God’s handkerchief husband Iago Iago’s identified ideology interpretation jealousy Jews Kabuki Lodovico London male marriage military Moor Moor’s moral murder Nunn’s Olivier Olivier’s Oxford patriarchal Patrick Stewart Paul Robeson Pechter performance play’s played Othello production Quarto quoted race racial racism reflected relationship Renaissance Review rhetorical Robeson Roderigo role Royal Shakespeare Company scene script seems sexual Shake Shakespeare Festival Shakespeare Quarterly significant social Sonnets soul speare speech stage Theatre theatrical thou tion tragedy tragic Trevor Nunn Turk University of Georgia Venetian Venice violence Welles’s wife woman women words York