Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - Počet stran: 472 Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
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Výsledky 1-5 z 93
Strana vii
... Role in Othello 89 HUGH MACRAE RICHMOND White Faces, Blackface: 103 The Production of “Race” in Othello SUJATA IYENOAR Images of White Identity in Othello 133 PETER ERICKSON “Words and Performances”: 147 Roderigo and the Mixed ...
... Role in Othello 89 HUGH MACRAE RICHMOND White Faces, Blackface: 103 The Production of “Race” in Othello SUJATA IYENOAR Images of White Identity in Othello 133 PETER ERICKSON “Words and Performances”: 147 Roderigo and the Mixed ...
Strana 6
... roles, one night taking Othello, the next Iago, as Edwin Booth and Henry Irving did in the nineteenth century, and as ... role as producer of the play within the play is crucial. He undoubtedly articulates many of the viewers' common ...
... roles, one night taking Othello, the next Iago, as Edwin Booth and Henry Irving did in the nineteenth century, and as ... role as producer of the play within the play is crucial. He undoubtedly articulates many of the viewers' common ...
Strana 11
... role as both Bradleyan victim and Leavisian victimizer” (“Audience Response and the Denouement of Othello,” 167). A post-structural critic, Christopher Norris ingeniously suggests that “the difference of views between Leavis and Bradley ...
... role as both Bradleyan victim and Leavisian victimizer” (“Audience Response and the Denouement of Othello,” 167). A post-structural critic, Christopher Norris ingeniously suggests that “the difference of views between Leavis and Bradley ...
Strana 13
... role, according to Pechter, raises major problems for audiences: such an actor “simply transfers the problem [of heroism] to an audience for whom heroic blackness may now be as much of an impossibility (though for very different reasons) ...
... role, according to Pechter, raises major problems for audiences: such an actor “simply transfers the problem [of heroism] to an audience for whom heroic blackness may now be as much of an impossibility (though for very different reasons) ...
Strana 21
... role, as a Venetian and a kinsman, is crucial in the play 's exposure of this pattern. (356) Othello in general and ... roles, and stereotypes. Several collections of essays focus on Desdemona, Emilia, Bianca, and Barbary as well—in ...
... role, as a Venetian and a kinsman, is crucial in the play 's exposure of this pattern. (356) Othello in general and ... roles, and stereotypes. Several collections of essays focus on Desdemona, Emilia, Bianca, and Barbary as well—in ...
Obsah
1 | |
The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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