Othello: Critical EssaysPhilip Kolin Routledge, 11. 1. 2013 - Počet stran: 472 Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more. |
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Strana ix
... souls.” In gathering, preparing, and introducing this volume of original engaging criticism on Othello, I was greatly assisted by the following souls whose reputations are like valuable jewels to me. First off, I owe an immense debt of ...
... souls.” In gathering, preparing, and introducing this volume of original engaging criticism on Othello, I was greatly assisted by the following souls whose reputations are like valuable jewels to me. First off, I owe an immense debt of ...
Strana 9
... soul,' whose disintegration is puzzling and painful, or one who is anxiously vulnerable and radically flawed from the beginnning, proceeding inevitably to utter collapse” (Othello, 107). Who causes the tragedy~lago, Desdemona, Othello ...
... soul,' whose disintegration is puzzling and painful, or one who is anxiously vulnerable and radically flawed from the beginnning, proceeding inevitably to utter collapse” (Othello, 107). Who causes the tragedy~lago, Desdemona, Othello ...
Strana 13
... soul” (431). Ironically, Hogan maintains, “the most devastating tragedy is that, in the end, Othello himself comes to believe Brabantio” (447). (Barthelemy similarly claims that Barbantio's dream comes true [“Introduction,” Critical ...
... soul” (431). Ironically, Hogan maintains, “the most devastating tragedy is that, in the end, Othello himself comes to believe Brabantio” (447). (Barthelemy similarly claims that Barbantio's dream comes true [“Introduction,” Critical ...
Strana 29
... soul is reality and body is appearance, we may say that Iago is the black man with the white soul. (“Colour,” 151) There are many other links between the Moor and his ensign——both are outsiders, unenfranchised in Venetian society; both ...
... soul is reality and body is appearance, we may say that Iago is the black man with the white soul. (“Colour,” 151) There are many other links between the Moor and his ensign——both are outsiders, unenfranchised in Venetian society; both ...
Strana 54
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Obsah
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The Audiences Role in Othello | 89 |
The Production of Race in Othello | 103 |
Images of White Identity in Othello | 133 |
Roderigo and the Mixed Dramaturgy of Race and Gender in Othello | 147 |
Othellos Judaic Ancestry | 169 |
The State and the Subject of Othello | 189 |
Venetian Ideology or Transversal Power? Iagos Motives and the Means by which Othello Falls | 203 |
Early Modern Jury Trials and the Equitable Judgments of Tragedy | 293 |
Othello Among the Sonnets | 325 |
Tropes of Damnation and Nothingness | 347 |
A Semiotics of Eyeconography in Othello | 363 |
Physiologies and Anatomies in Othello | 379 |
Reading Othello Backwards | 391 |
The Mystery of the Early Othello Texts | 401 |
Stage Violence in Othello | 425 |
Portrait of a Marriage | 221 |
Desdemona Emilia and the Doctrine of Obedience in Othello | 233 |
Morality Ethics and the Failure of Love in Shakespeares Othello | 255 |
Water Imagery and Religious Diversity in Othello | 271 |
An Interview with Kent Thompson Artistic Director of the Alabama Shakespeare Festival | 441 |
Notes on the Contributors | 456 |
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