ACT THIRD SCENE I A room in the castle. Enter King, Queen, Polonius, Ophelia, Rosencrantz, and Guildenstern. King. And can you, by no drift of circumstance, When we would bring him on to some confes- Of his true state. Queen. Did he receive you well? 10 Ros. Most like a gentleman. Guil. But with much forcing of his disposition. 13-14. "Niggard of question, but of our own demands most free"; Hanmer, "Most free of our question, but to our demands most niggard"; Warburton, “Most free of question, but of our demands most niggard"; Collier MS., “niggard of our question, but to our demands most free."-I. G. Queen. To any pastime? Did you assay him Ros. Madam, it so fell out that certain players Pol. And there did seem in him a kind of joy 20 "Tis most true: And he beseech'd me to entreat your majesties To hear and see the matter. King. With all my heart; and it doth much content me To hear him so inclined. Good gentlemen, give him a further edge, [Exeunt Rosencrantz and Guildenstern. Her father and myself, lawful espials, Will so bestow ourselves that, seeing unseen, If 't be the affliction of his love or no Queen. I shall obey you: And for your part, Ophelia, I do wish 30 Of Hamlet's wildness: so shall I hope your virtues Will bring him to his wonted way again, 40 To both your honors. Oph. Madam, I wish it may. [Exit Queen. Gracious, so please Pol. Ophelia, walk you here. you, We will bestow ourselves. [To Ophelia.] Read on this book; That show of such an exercise may color Your loneliness. We are oft to blame in this,'Tis too much proved-that with devotion's visage And pious action we do sugar o'er The devil himself. King. [Aside] O, 'tis too true! How smart a lash that speech doth give my conscience! 50 The harlot's cheek, beautied with plastering art, Pol. I hear him coming: let's withdraw, my lord. [Exeunt King and Polonius. Enter Hamlet. Ham. To be, or not to be: that is the question: 59. "to take arms against a sea of troubles,” &c.; the alleged con 61 And by opposing end them. To die: to sleep; For in that sleep of death what dreams may come, When we have shuffled off this mortal coil, For who would hear the whips and scorns of time, 70 The oppressor's wrong, the proud man's con tumely, The pangs of despised love, the law's delay, 80 fusion of metaphors in this passage was due to the commentator's ignorance, not to Shakespeare's; vide Glossary, “take arms.”—I. G. 79, 80: "The undiscovered country from whose bourn In Catullus' Elegy on a Sparrow, occur the words:- Illuc unde negant redire quenquam.”—I. G. And makes us rather bear those ills we have Oph. Good my lord, How does your honor for this many a day? Ham. I never gave you aught. yours, No, not I; 90 Oph. My honor'd lord, you know right well you And with them words of so sweet breath com- 83. “conscience”; speculative reflection.-C. H. H. 89. "Be all my sins remembered"; "This is a touch of nature. Hamlet, at the sight of Ophelia, does not immediately recollect that he is to personate madness, but makes an address grave and solemn, such as the foregoing meditation excited in his thoughts" (Johnson). -H. N. H. 92. "well, well, well"; thus the folio; the quartos have well but once. The repetition seems very apt and forcible, as suggesting the opposite of what the word means.-H. N. H. 97. "you know"; the quartos have "you know" instead of "I know." We scarce know which to prefer; but, on the whole, the folio reading seems to have more of delicacy, and at least equal feeling.-H. N. H. |