Meter in English: A Critical EngagementDavid Baker University of Arkansas Press, 1996 - Počet stran: 368 In 1993, poet, author, and teacher Robert Wallace wrote an essay, "Meter in English", to clarify and simplify methods of studying the line-by-line rhythms and structure of poetry. When David Baker circulated Wallace's essay to other poets and student of prosody, the ten propositions it contained elicited an excited and powerful reaction from each respondent. Some strongly concurred; others expressed rousing disagreement. United States Poet Laureate Robert Haas called the essay "a paradigm shift" in our understanding of English prosody. David Baker has gathered Wallace's essay, fourteen essay-length responses - from poets as divergent in practice as Timothy Steele and Robert Hass, John Frederick Nims and Eavan Boland - and an extensive afterword by Wallace that brings the argument full circle. With Wallace's ten points as a common benchmark, the respondents have created an unparalleled sampling of thought on the status of meter in poetics today and the rich diversity of opinion on how poems achieve their sound and rhythm. Taken as a whole, the collection becomes a lastingly valuable teaching guide to meter as it's understood by some of its finest scholars and makers. |
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Strana 141
... stanza pattern , not syllable count . Stanza pattern is also based , after all , on our tendency to take pleasure in the patterns we perceive . The stanza is a proposition of order . Some of them are so conventional that they have come ...
... stanza pattern , not syllable count . Stanza pattern is also based , after all , on our tendency to take pleasure in the patterns we perceive . The stanza is a proposition of order . Some of them are so conventional that they have come ...
Strana 316
... stanza 1 : “ The unmentionable odour of death " ) is probably an unimportant eli- sion , but one of the spondees seems noteworthy , in the last stanza : " Yet , dotted everywhere , / Ironic points of light / Flash out wher- ever the ...
... stanza 1 : “ The unmentionable odour of death " ) is probably an unimportant eli- sion , but one of the spondees seems noteworthy , in the last stanza : " Yet , dotted everywhere , / Ironic points of light / Flash out wher- ever the ...
Strana 320
... stanzas of eight lines each . In 1951 , however , stanza 4 became nine lines ; and in 1967 , all four stanzas were made nine lines . Although there were several verbal alterations from 1916 to 1924 , Moore maintained the syllable ...
... stanzas of eight lines each . In 1951 , however , stanza 4 became nine lines ; and in 1967 , all four stanzas were made nine lines . Although there were several verbal alterations from 1916 to 1924 , Moore maintained the syllable ...
Obsah
A Response | 45 |
A Defense of the NonIambic Meters | 59 |
MeterMaking Arguments | 75 |
Autorská práva | |
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accentual meter accentual verse accentual-syllabic meter accentual-syllabic verse amphibrach anacrusis anapestic Anapests and dactyls caesura century conventional cretic critical dactylic dactylic meters discussion double-iamb e-s ending English meter English verse essay example exist in English extra-syllable ending feet foot in English four-stress free verse Gioia green thought hear iamb iambic line iambic meter iambic norm iambic pentameter iambic verse Jeffers Jespersen lables language levels of stress linguistic Marianne Moore measure meter in English metrical stress metrists Moore's Nims non-iambic meters number of syllables pattern poem poem's poetic poets Professor Wallace proposition prose prosodists pyrrhic foot quantity reader regular rhyme rhythm rhythmic Robert Wallace Robinson Jeffers Saintsbury scansion seems sense sound speech stress spondee stanza stressed and unstressed strong stresses syllabic meter syllabic verse syllable count syllables T. S. Eliot tetrameter tion traditional trochaic trochaic meter trochee unstressed syllables variation versification Wallace's words writing