Meter in English: A Critical EngagementDavid Baker University of Arkansas Press, 1996 - Počet stran: 368 In 1993, poet, author, and teacher Robert Wallace wrote an essay, "Meter in English", to clarify and simplify methods of studying the line-by-line rhythms and structure of poetry. When David Baker circulated Wallace's essay to other poets and student of prosody, the ten propositions it contained elicited an excited and powerful reaction from each respondent. Some strongly concurred; others expressed rousing disagreement. United States Poet Laureate Robert Haas called the essay "a paradigm shift" in our understanding of English prosody. David Baker has gathered Wallace's essay, fourteen essay-length responses - from poets as divergent in practice as Timothy Steele and Robert Hass, John Frederick Nims and Eavan Boland - and an extensive afterword by Wallace that brings the argument full circle. With Wallace's ten points as a common benchmark, the respondents have created an unparalleled sampling of thought on the status of meter in poetics today and the rich diversity of opinion on how poems achieve their sound and rhythm. Taken as a whole, the collection becomes a lastingly valuable teaching guide to meter as it's understood by some of its finest scholars and makers. |
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Strana 80
... poems usually sound unmetered . Like much free verse , the formal principle of syllabic verse is visual not auditory . A reader usually recognizes the syllabic pattern of a poem only by seeing it on the page . Syllabic meters can ...
... poems usually sound unmetered . Like much free verse , the formal principle of syllabic verse is visual not auditory . A reader usually recognizes the syllabic pattern of a poem only by seeing it on the page . Syllabic meters can ...
Strana 84
... syllabics are almost inevitably the choice for high - art poetry . This distinction might be phrased even more sharply by saying that accentual meter is the pre- ferred form for popular spoken verse whereas accentual - syllabic meters ...
... syllabics are almost inevitably the choice for high - art poetry . This distinction might be phrased even more sharply by saying that accentual meter is the pre- ferred form for popular spoken verse whereas accentual - syllabic meters ...
Strana 158
A Critical Engagement David Baker. to some as the inaudible meter of syllabic verse . Accentual verse moves always in between the Scylla of accentual - syllabic meter , into which , with too little variation , it will tend to fall , and ...
A Critical Engagement David Baker. to some as the inaudible meter of syllabic verse . Accentual verse moves always in between the Scylla of accentual - syllabic meter , into which , with too little variation , it will tend to fall , and ...
Obsah
A Response | 45 |
A Defense of the NonIambic Meters | 59 |
MeterMaking Arguments | 75 |
Autorská práva | |
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accentual meter accentual verse accentual-syllabic meter accentual-syllabic verse amphibrach anacrusis anapestic Anapests and dactyls caesura century conventional cretic critical dactylic dactylic meters discussion double-iamb e-s ending English meter English verse essay example exist in English extra-syllable ending feet foot in English four-stress free verse Gioia green thought hear iamb iambic line iambic meter iambic norm iambic pentameter iambic verse Jeffers Jespersen lables language levels of stress linguistic Marianne Moore measure meter in English metrical stress metrists Moore's Nims non-iambic meters number of syllables pattern poem poem's poetic poets Professor Wallace proposition prose prosodists pyrrhic foot quantity reader regular rhyme rhythm rhythmic Robert Wallace Robinson Jeffers Saintsbury scansion seems sense sound speech stress spondee stanza stressed and unstressed strong stresses syllabic meter syllabic verse syllable count syllables T. S. Eliot tetrameter tion traditional trochaic trochaic meter trochee unstressed syllables variation versification Wallace's words writing