 | William Shakespeare - 1920 - 172 str.
...capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances ; 155 And so he plays his part. The sixth age shifts Into...wide For his shrunk shank ; and his big manly voice, 160 144. Then] And then Rowe ii and edd. ; Then there's Anon. conj. ap. Cambridge edd. 15o. sudden]... | |
 | 1813 - 410 str.
...saws and modern instances; And so he plays his part: the sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose, and pouch on side;...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion,— Sans teeth, sans eyes, sans... | |
 | William Shakespeare - 1821 - 516 str.
...round belly, with good capon lined, With eyes severe, and beard of formal cut, Full of wise saws and modern instances, And so he plays his part: the sixth...in his sound : last scene of all, ' That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
 | William Shakespeare - 1824 - 486 str.
...round belly, with good capon lined, With eyes severe, and beard of formal cut, Full "V wise saws and modern) instances, And so he plays his part: The sixth...voice, Turning again toward childish treble, pipes And wiiistlcs in his sound : Last scene of all, That ends this strange eventful history, Is second childishness,... | |
 | 1826 - 408 str.
...round belly, with good capon lined, With eyes severe, and beard of formal cut. Full of wise saws and modern instances, And so he plays his part: The sixth...pipes And whistles in his sound : Last scene of all, f That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth,... | |
 | James Hedderwick - 1833 - 232 str.
...round belly, with good capon lined, With eyes severe, and beard of formal cut, Full of wise saws and modern instances; And so he plays his part! — The...his sound ! — Last scene of all, That ends this strange, eventful history, Is second Childishness, and mere Oblivion; Sans teeth, sans eyes, sans taste,... | |
 | William Shakespeare - 1836 - 554 str.
...and modern i instances, And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon ; With spectacles on nose, and pouch on...whistles in his sound. Last scene of all, That ends this strange, eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans... | |
 | William Shakespeare - 1838 - 484 str.
...belly, with good capon lined, With eyes severe, and beard of formal cut, Full of wise saws and modern1' instances, And so he plays his part : The sixth age...whistles in his sound : Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
 | William Shakespeare, Thomas Price - 1839 - 478 str.
...round belly, with good capon lined, With eyes severe, and beard of formal cut, Full of wise saws and modern^ instances, And so he plays his part : The...whistles in his sound: Last scene of all, That ends this strange eventful history, la second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
 | William Shakespeare - 1839 - 550 str.
...and modern 1 instances, And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon ; With spectacles on nose, and pouch on...whistles in his sound. Last scene of all, That ends this strange, eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans... | |
| |
The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles... 
