The Party of Humanity: Writing Moral Psychology in Eighteenth-century BritainJohns Hopkins University Press, 2000 - Počet stran: 250 What is the relationship between the self and society? Where do moral judgements come from? As Blakey Vermeule demonstrates in this discussion, such questions about sociability and moral philosophy were central to 18th-century writers and artists. Vermeule focuses on a group of aesthetically complicated moral texts: Alexander Pope's character sketches and Dunciad, Samuel Johnson's Life of Savage, and David Hume's self-consciously theatrical writings on pride and his autobiographical writings on religious melancholia. These writers and their characters confronted familiar social dilemmas - sexual desire, gender identity, family relations, cheating, ambition, status, rivalry and shame - and responded by developing a practical ethics about their own behaviour at the same time that they refined their moral judgements of others. |
Vyhledávání v knize
Výsledky 1-3 z 49
Strana 50
... feeling of aesthetic pleasure in an object can entail a judgment that such a feeling ought to be universally valid . He sharp- ened the question by rejecting cognitive interest as having any part in aesthetic judgments , arguing instead ...
... feeling of aesthetic pleasure in an object can entail a judgment that such a feeling ought to be universally valid . He sharp- ened the question by rejecting cognitive interest as having any part in aesthetic judgments , arguing instead ...
Strana 92
... feelings onto a sublimely im- movable figure , the excitement of having all that emotion count as virtue . “ A ... feeling too , and so on . Writing in 1695 , Abel Boyer defined politeness as the art of pleasing in pub- lic . This ...
... feelings onto a sublimely im- movable figure , the excitement of having all that emotion count as virtue . “ A ... feeling too , and so on . Writing in 1695 , Abel Boyer defined politeness as the art of pleasing in pub- lic . This ...
Strana 166
... feeling an impression related to qualities separate from the subject of the cause itself , which must remain unknown , unfelt . And this fact about impressions of reflection has specific consequences for those cases where we take pride ...
... feeling an impression related to qualities separate from the subject of the cause itself , which must remain unknown , unfelt . And this fact about impressions of reflection has specific consequences for those cases where we take pride ...
Obsah
The Art of Obligation | 29 |
Notes | 209 |
Works Cited | 229 |
Autorská práva | |
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abstraction acting Addison aesthetic altruism answer argued authority become beliefs Book called cause century character claims critics culture Dennis describes desire distinction Dunciad early Edited effect eighteenth-century emotion especially example experience explain expression fact feeling figure force friends friendship give hand human Hume Hume's idea imagination impressions individual interest internal John Johnson judgment kind language less letter literary lives look meaning melancholy mind moral moralist motives names nature never normative object obligation particular passion person philosophical play pleasure poem poetry political Pope Pope's portrait position practical Press pride proper psychology question quoted readers reason reciprocal reference reflection relation relationship rhetorical rules satire Savage Savage's seeks seems sense social society spectator suggests theory things thought tion tradition true turn University values virtue whole writes
Odkazy na tuto knihu
Sympathy and the State in the Romantic Era: Systems, State Finance, and the ... Robert Mitchell Zobrazení fragmentů - 2007 |
Bastards and Foundlings: Illegitimacy in Eighteenth-century England Lisa Zunshine Omezený náhled - 2005 |