The Party of Humanity: Writing Moral Psychology in Eighteenth-century BritainJohns Hopkins University Press, 2000 - Počet stran: 250 What is the relationship between the self and society? Where do moral judgements come from? As Blakey Vermeule demonstrates in this discussion, such questions about sociability and moral philosophy were central to 18th-century writers and artists. Vermeule focuses on a group of aesthetically complicated moral texts: Alexander Pope's character sketches and Dunciad, Samuel Johnson's Life of Savage, and David Hume's self-consciously theatrical writings on pride and his autobiographical writings on religious melancholia. These writers and their characters confronted familiar social dilemmas - sexual desire, gender identity, family relations, cheating, ambition, status, rivalry and shame - and responded by developing a practical ethics about their own behaviour at the same time that they refined their moral judgements of others. |
Vyhledávání v knize
Výsledky 1-3 z 47
Strana 50
... play of the faculties and a simultaneous judgment that our pleasure is universally communicable , and hence ought to ... play of the faculties " ; and second , that it is because of the subjective feeling of pleasure that I take in the ...
... play of the faculties and a simultaneous judgment that our pleasure is universally communicable , and hence ought to ... play of the faculties " ; and second , that it is because of the subjective feeling of pleasure that I take in the ...
Strana 91
... play , dramatizing his real- ism in front of an audience . Members of that audience were quick to fill in motives of sentiment , finding Cato's early stoicism , rather than his death scene , especially moving . Were these audience ...
... play , dramatizing his real- ism in front of an audience . Members of that audience were quick to fill in motives of sentiment , finding Cato's early stoicism , rather than his death scene , especially moving . Were these audience ...
Strana 164
... play it for you ; if you asked him directly afterwards for the great scene in Hamlet he would play it for you . He was as ready to cry over the tarts in the gutter as to follow the course of [ Mac- beth's ] air - drawn dagger . Can one ...
... play it for you ; if you asked him directly afterwards for the great scene in Hamlet he would play it for you . He was as ready to cry over the tarts in the gutter as to follow the course of [ Mac- beth's ] air - drawn dagger . Can one ...
Obsah
The Art of Obligation | 29 |
Notes | 209 |
Works Cited | 229 |
Autorská práva | |
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abstraction acting Addison aesthetic altruism answer argued authority become beliefs Book called cause century character claims critics culture Dennis describes desire distinction Dunciad early Edited effect eighteenth-century emotion especially example experience explain expression fact feeling figure force friends friendship give hand human Hume Hume's idea imagination impressions individual interest internal John Johnson judgment kind language less letter literary lives look meaning melancholy mind moral moralist motives names nature never normative object obligation particular passion person philosophical play pleasure poem poetry political Pope Pope's portrait position practical Press pride proper psychology question quoted readers reason reciprocal reference reflection relation relationship rhetorical rules satire Savage Savage's seeks seems sense social society spectator suggests theory things thought tion tradition true turn University values virtue whole writes
Odkazy na tuto knihu
Sympathy and the State in the Romantic Era: Systems, State Finance, and the ... Robert Mitchell Zobrazení fragmentů - 2007 |
Bastards and Foundlings: Illegitimacy in Eighteenth-century England Lisa Zunshine Omezený náhled - 2005 |