The Party of Humanity: Writing Moral Psychology in Eighteenth-century BritainJohns Hopkins University Press, 2000 - Počet stran: 250 What is the relationship between the self and society? Where do moral judgements come from? As Blakey Vermeule demonstrates in this discussion, such questions about sociability and moral philosophy were central to 18th-century writers and artists. Vermeule focuses on a group of aesthetically complicated moral texts: Alexander Pope's character sketches and Dunciad, Samuel Johnson's Life of Savage, and David Hume's self-consciously theatrical writings on pride and his autobiographical writings on religious melancholia. These writers and their characters confronted familiar social dilemmas - sexual desire, gender identity, family relations, cheating, ambition, status, rivalry and shame - and responded by developing a practical ethics about their own behaviour at the same time that they refined their moral judgements of others. |
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Strana 13
... practical ethics , shaped in first - person questions about what is best for them to do , and a moral stance on why others too should conform . Often their moral beliefs are drawn from wider religious or moral doctrines . Yet even then ...
... practical ethics , shaped in first - person questions about what is best for them to do , and a moral stance on why others too should conform . Often their moral beliefs are drawn from wider religious or moral doctrines . Yet even then ...
Strana 22
... practical philoso- pher to a painter . The business of the anatomist is to explain what causes us to approve of virtue ; the business of a painter is to make virtue appealing . And Hume styles him- self a theoretical philosopher : his ...
... practical philoso- pher to a painter . The business of the anatomist is to explain what causes us to approve of virtue ; the business of a painter is to make virtue appealing . And Hume styles him- self a theoretical philosopher : his ...
Strana 37
... practical criticism of poems with their theoretical assertions about them , but Wimsatt was one . He wrote three important theoretical pieces— “ The Intentional Fallacy , ” “ The Affective Fallacy , " and " The Concrete Universal " —all ...
... practical criticism of poems with their theoretical assertions about them , but Wimsatt was one . He wrote three important theoretical pieces— “ The Intentional Fallacy , ” “ The Affective Fallacy , " and " The Concrete Universal " —all ...
Obsah
The Art of Obligation | 29 |
Notes | 209 |
Works Cited | 229 |
Autorská práva | |
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abstraction acting Addison aesthetic altruism answer argued authority become beliefs Book called cause century character claims critics culture Dennis describes desire distinction Dunciad early Edited effect eighteenth-century emotion especially example experience explain expression fact feeling figure force friends friendship give hand human Hume Hume's idea imagination impressions individual interest internal John Johnson judgment kind language less letter literary lives look meaning melancholy mind moral moralist motives names nature never normative object obligation particular passion person philosophical play pleasure poem poetry political Pope Pope's portrait position practical Press pride proper psychology question quoted readers reason reciprocal reference reflection relation relationship rhetorical rules satire Savage Savage's seeks seems sense social society spectator suggests theory things thought tion tradition true turn University values virtue whole writes
Odkazy na tuto knihu
Sympathy and the State in the Romantic Era: Systems, State Finance, and the ... Robert Mitchell Zobrazení fragmentů - 2007 |
Bastards and Foundlings: Illegitimacy in Eighteenth-century England Lisa Zunshine Omezený náhled - 2005 |