Creative Photography: Aesthetic Trends, 1839-1960The first authoritative, comprehensive study of photography from a purely aesthetic point of view, spanning its history from the daguerreotype to modern photo-reportage. With 240 superb examples of the photographer's art by Julia Margaret Cameron, Jacob Riis, Edward Steichen, Alfred Stieglitz, Andre Kertesz, Eugene Atget, Man Ray, Edward Weston, and many others. |
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The author and publisher gratefully acknowledge the loan of fortyfour blocks from the Shenval Press | 11 |
Advertisement for Industrial Life Offices Asso | 17 |
THE MIRROR OF NATURE | 23 |
J P Girault de Prangey The Metropolitan | 24 |
French daguerreotype 1844 reproduction | 30 |
THE PENCIL OF NATURE | 32 |
TOPOGRAPHY AND INTERPRETATION | 40 |
Charles Clifford In the park of the royal | 50 |
IMPRESSIONISTIC PHOTOGRAPHY | 122 |
IMITATION PAINTINGS | 131 |
THE AESTHETIC MOVEMENT | 135 |
Alfred Stieglitz The Terminal Photogravure | 138 |
H Walter Barnett Mrs Saxton Noble Platino | 145 |
THE BEGINNING OF MODERN PHOTOGRAPHY | 149 |
PHOTOGRAPHY IN THE RETORT | 161 |
Man Ray Solarization 1931 | 165 |
A NEW INDUSTRY | 56 |
Cheap photographers advertisement 1857 | 57 |
IMMORTAL PORTRAITS | 60 |
Julia Margaret Cameron Ellen Terry 1864 | 66 |
THE PHOTOGRAPHER AS STAGE MANAGER | 69 |
William Notman Bear hunt posed in studio | 72 |
FINE ART PHOTOGRAPHY | 73 |
O G Rejlander The Two Ways of Life size | 78 |
H P Robinson Dawn and Sunset 1885 size | 82 |
Julia Margaret Cameron King Arthur 1874 | 88 |
GENRE | 89 |
THE NUDE BEFORE THE CAMERA | 96 |
REPORTAGE AND DOCUMENTATION | 102 |
PUSHBUTTON PHOTOGRAPHY | 115 |
NATURALISTIC PHOTOGRAPHY | 119 |
THE NEW OBJECTIVITY | 172 |
Closeup from Eisensteins Battleship Potem | 176 |
Edward Weston Paprika 1930 | 184 |
THE INFLUENCE OF SURREALISM | 190 |
PHOTOPATTERNS | 196 |
Otto Steinert Snow tracks Negative montage | 202 |
THE FACE OF OUR TIME | 208 |
Arthur Rothstein Farmer and sons in dust | 215 |
George Oddner Child selling vegetables | 229 |
SHORT BIOGRAPHIES OF PHOTOGRAPHERS ILLUSTRATED | 230 |
PROCESSES | 248 |
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255 | |
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