Marlovian Tragedy: The Play of DilationBucknell University Press, 1999 - Počet stran: 221 This re-visioning of the Marlowe canon aims to explain the ambiguous effects that readers have long associated with Marlowe's signature. Marlovian tragedy has been inadequately theorized because Marlowe has too often been set under the giant shadow of Shakespeare. Grande, by contrast, takes Marlowe on his own terms and demonstrates how he achieves his notorious moral ambiguity through the rhetorical technique of dilation or amplification. All of Marlowe's plays end in the conventional tragic way, with death. But each play, as well as Hero and Leander, repeatedly evokes the reader's expectations of a tragic end only to defer them, dilating the moment of pleasure so that the protagonists can dally before the "law" of tragedy. |
Vyhledávání v knize
Výsledky 1-3 z 14
Strana 146
... Barabas's words point to the prejudice of a government that will condemn him without trial for the supposed sins of his race ; however , Marlowe's complex parody also satirizes Barabas in the very act of setting himself up as scapegoat ...
... Barabas's words point to the prejudice of a government that will condemn him without trial for the supposed sins of his race ; however , Marlowe's complex parody also satirizes Barabas in the very act of setting himself up as scapegoat ...
Strana 148
The Play of Dilation Troni Y. Grande. support a reading of Barabas as a type of Christ - like scapegoat . Ferneze recalls Pilate's scapegoating of Christ when he says , " Barabas , to stain our hands with blood / Is far from us and our ...
The Play of Dilation Troni Y. Grande. support a reading of Barabas as a type of Christ - like scapegoat . Ferneze recalls Pilate's scapegoating of Christ when he says , " Barabas , to stain our hands with blood / Is far from us and our ...
Strana 150
... Barabas's character disappear as he transforms into a parodic Anti- christ figure , learning to fit himself to the stereotyped anti - Semitic role in which Maltese society had placed him from the beginning . 32 The initial ...
... Barabas's character disappear as he transforms into a parodic Anti- christ figure , learning to fit himself to the stereotyped anti - Semitic role in which Maltese society had placed him from the beginning . 32 The initial ...
Obsah
Acknowledgments | 9 |
Dilation in Hero and Leander | 25 |
Tamburlaines Fortunate Fall | 44 |
Autorská práva | |
Další části 7 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
Aeneas Aeneas's allusion Anippe argues authoritative authority Barabas Barabas's biblical burlaine Cambridge casibus tragedy Christ Christian Christopher Marlowe classical comic context conventional critics dalliance death Dido Dido and Aeneas Dido's différance dilation dilatory divine echo edited Edward Edward II Elizabethan English Studies epic erotic Essays on Christopher fall father Faustus Faustus's Ferneze filthy Play-maker Fortune Fortune's Frye Ganimed Gaveston genre Hero and Leander hero's heroic Ibid Icarus ironic Jew of Malta Jupiter Jupiter's Kenneth Friedenreich king language Latin law of tragedy literary London lovers lowe's Marlovian Marlovian tragedy Marlowe's Hero Marlowe's play Massacre at Paris Mephostophilis Mirror for Magistrates moral Mortimer Musaeus Musaeus's narrative narrator night Overreacher Ovid Ovid's parody Pelops Phaeton play's pleasure Poetry prologue protagonists reader reading Renaissance Drama Renaissance writers retribution rhetorical scapegoat scene Shakespeare shows speech structure Studies suggests Tamburlaine tion tradition tragic translation University Press vernacular Virgil word York Zenocrate's
Odkazy na tuto knihu
Constructing 'Monsters' in Shakespearean Drama and Early Modern Culture Mark Thornton Burnett Náhled není k dispozici. - 2002 |