Marlovian Tragedy: The Play of DilationBucknell University Press, 1999 - Počet stran: 221 This re-visioning of the Marlowe canon aims to explain the ambiguous effects that readers have long associated with Marlowe's signature. Marlovian tragedy has been inadequately theorized because Marlowe has too often been set under the giant shadow of Shakespeare. Grande, by contrast, takes Marlowe on his own terms and demonstrates how he achieves his notorious moral ambiguity through the rhetorical technique of dilation or amplification. All of Marlowe's plays end in the conventional tragic way, with death. But each play, as well as Hero and Leander, repeatedly evokes the reader's expectations of a tragic end only to defer them, dilating the moment of pleasure so that the protagonists can dally before the "law" of tragedy. |
Vyhledávání v knize
Výsledky 1-3 z 17
Strana 40
... Icarus complex " which shows his predisposition for tragedy : " Since Icarus was the archetype of the overreacher , Marlowe was by temperament a tragedian . " 52 The overreacher , whom Marlowe most often associates with the classical ...
... Icarus complex " which shows his predisposition for tragedy : " Since Icarus was the archetype of the overreacher , Marlowe was by temperament a tragedian . " 52 The overreacher , whom Marlowe most often associates with the classical ...
Strana 76
... Icarus . Because Ae neas has taken her entire fleet , Dido cannot follow him without over- coming the elements , as did " Tritons neece , " or Icarus . Dido sees her Icarian attempts to usurp heavenly power as already defeated , but she ...
... Icarus . Because Ae neas has taken her entire fleet , Dido cannot follow him without over- coming the elements , as did " Tritons neece , " or Icarus . Dido sees her Icarian attempts to usurp heavenly power as already defeated , but she ...
Strana 77
... Icarus is here permeated with a heavy tragic irony , since Faustus has already fallen when the play begins . His " waxen wings " of humanist education do make his reach exceed his grasp , for he , like Icarus , cannot keep within the ...
... Icarus is here permeated with a heavy tragic irony , since Faustus has already fallen when the play begins . His " waxen wings " of humanist education do make his reach exceed his grasp , for he , like Icarus , cannot keep within the ...
Obsah
Acknowledgments | 9 |
Dilation in Hero and Leander | 25 |
Tamburlaines Fortunate Fall | 44 |
Autorská práva | |
Další části 7 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
Aeneas Aeneas's allusion Anippe argues authoritative authority Barabas Barabas's biblical burlaine Cambridge casibus tragedy Christ Christian Christopher Marlowe classical comic context conventional critics dalliance death Dido Dido and Aeneas Dido's différance dilation dilatory divine echo edited Edward Edward II Elizabethan English Studies epic erotic Essays on Christopher fall father Faustus Faustus's Ferneze filthy Play-maker Fortune Fortune's Frye Ganimed Gaveston genre Hero and Leander hero's heroic Ibid Icarus ironic Jew of Malta Jupiter Jupiter's Kenneth Friedenreich king language Latin law of tragedy literary London lovers lowe's Marlovian Marlovian tragedy Marlowe's Hero Marlowe's play Massacre at Paris Mephostophilis Mirror for Magistrates moral Mortimer Musaeus Musaeus's narrative narrator night Overreacher Ovid Ovid's parody Pelops Phaeton play's pleasure Poetry prologue protagonists reader reading Renaissance Drama Renaissance writers retribution rhetorical scapegoat scene Shakespeare shows speech structure Studies suggests Tamburlaine tion tradition tragic translation University Press vernacular Virgil word York Zenocrate's
Odkazy na tuto knihu
Constructing 'Monsters' in Shakespearean Drama and Early Modern Culture Mark Thornton Burnett Náhled není k dispozici. - 2002 |