The Spectator ...John Sharpe, 1803 |
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Strana 139
... language ; for otherwise , what may properly express a passion in one language will not do it in another . Every one who has been long in Italy knows very well , that the cadences in the recitativo bear a remote affinity to the tone of ...
... language ; for otherwise , what may properly express a passion in one language will not do it in another . Every one who has been long in Italy knows very well , that the cadences in the recitativo bear a remote affinity to the tone of ...
Strana 189
... language is very often noble and sonorous , but the sense either very trifling , or very common . On the contrary , in the ancient tragedies , and indeed in those of Corneille and Racine , though the expressions are very great , it is ...
... language is very often noble and sonorous , but the sense either very trifling , or very common . On the contrary , in the ancient tragedies , and indeed in those of Corneille and Racine , though the expressions are very great , it is ...
Strana 323
be honest in his actions , and refined in his language . Instead of this , our hero in this piece is a direct knave in his designs , and a clown in his language . Bellair is his admirer and friend ; in return for which , because he is ...
be honest in his actions , and refined in his language . Instead of this , our hero in this piece is a direct knave in his designs , and a clown in his language . Bellair is his admirer and friend ; in return for which , because he is ...
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