Acting Narrative Speeches: The Actor as StorytellerMeriwether Pub., 2002 - Počet stran: 445 Narrative speeches, both classical and contemporary, are used to reveal how an actor can discover the inherent energy, the essence and the subtextual colours of every word and sentences of a dramatic speech. This book clearly demonstrates that any memorable performance needs far more than acting technique alone. In eighteen chapters actor/director/teacher McDonough defines in depth how an actor can find the often overlooked subtleties that create characters with dimension and moments of heightened reality. |
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Výsledky 1-3 z 77
Strana 127
... become a painting on the wall of a museum ; the back of a chair might become a window sill . Need a coffin ? Try the couch . Simple adjustments in space can be very significant in storytelling . Suppose that a character is telling a ...
... become a painting on the wall of a museum ; the back of a chair might become a window sill . Need a coffin ? Try the couch . Simple adjustments in space can be very significant in storytelling . Suppose that a character is telling a ...
Strana 236
... become ruthlessness ? What sort of transition might help to tell the story of how the Greeks got from A to B ? Let's look at two different versions . 12.3 Perhaps you hypothesize that the Greeks ' surprise becomes fear , which leads to ...
... become ruthlessness ? What sort of transition might help to tell the story of how the Greeks got from A to B ? Let's look at two different versions . 12.3 Perhaps you hypothesize that the Greeks ' surprise becomes fear , which leads to ...
Strana 248
... become part of it . The morning image and the metaphor of making love have become one evolving bed scene . and with my head resting against his beating heart , we both sat in silence , he thinking of the wreck of all his hopes in the ...
... become part of it . The morning image and the metaphor of making love have become one evolving bed scene . and with my head resting against his beating heart , we both sat in silence , he thinking of the wreck of all his hopes in the ...
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acceleration acting action actor Agamemnon Appendix Athi audience beginning body build caesura central moment chair character character's choices circumstances climax Clytemnestra conjure create deceleration develop draft E.E. Cummings emotional emphasize endwords energy example explore expressive eyes fade father feel feet from/to gesture Gus Edwards Hamlet hand happened hear Hotspur I'm Not Rappaport Imagine implicit scene impulses indirect quote inner conflict inside the story Juliet language layered look metaphor moments Monologues move movement narrative speeches onomatopoeia onomatopoetic opposites performance phrase physical play point of view possible pullback Puntila rehearsal reliving rhythm rhythmic Romeo Romeo and Juliet Sam Shepard seam sentence set the scene Shakespeare shape single image slow snake handling sound sense space specific spondee stage syllables talk tell the story telling a story theater Titania transition trochee Tybalt voice Wesley Weston words