Acting Narrative Speeches: The Actor as StorytellerMeriwether Pub., 2002 - Počet stran: 445 Narrative speeches, both classical and contemporary, are used to reveal how an actor can discover the inherent energy, the essence and the subtextual colours of every word and sentences of a dramatic speech. This book clearly demonstrates that any memorable performance needs far more than acting technique alone. In eighteen chapters actor/director/teacher McDonough defines in depth how an actor can find the often overlooked subtleties that create characters with dimension and moments of heightened reality. |
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Strana 107
... Body English About Almost Anything Up to this point we have focused on gestures which are either about gestures or about the motion of limbs doing something in a story . But gestures can be used to conjure anything . When Puntila ...
... Body English About Almost Anything Up to this point we have focused on gestures which are either about gestures or about the motion of limbs doing something in a story . But gestures can be used to conjure anything . When Puntila ...
Strana 114
... body Upon a rapier's point . Stay , Tybalt , stay ! ( Speech 15 , Appendix B ) 6.50 Suppose that Juliet points ... body English about something else entirely ? • Explore body English in all parts of your body . Be inventive . Guidelines ...
... body Upon a rapier's point . Stay , Tybalt , stay ! ( Speech 15 , Appendix B ) 6.50 Suppose that Juliet points ... body English about something else entirely ? • Explore body English in all parts of your body . Be inventive . Guidelines ...
Strana 139
... body — if your body anticipates what is said . Now tie the three images together . Work without text . Your movement should embody Electra's enervated state . 8.29 Your starting point is the shipwreck image . Crawl a few steps as if ...
... body — if your body anticipates what is said . Now tie the three images together . Work without text . Your movement should embody Electra's enervated state . 8.29 Your starting point is the shipwreck image . Crawl a few steps as if ...
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acceleration acting action actor Agamemnon Appendix Athi audience beginning body build caesura central moment chair character character's choices circumstances climax Clytemnestra conjure create deceleration develop draft E.E. Cummings emotional emphasize endwords energy example explore expressive eyes fade father feel feet from/to gesture Gus Edwards Hamlet hand happened hear Hotspur I'm Not Rappaport Imagine implicit scene impulses indirect quote inner conflict inside the story Juliet language layered look metaphor moments Monologues move movement narrative speeches onomatopoeia onomatopoetic opposites performance phrase physical play point of view possible pullback Puntila rehearsal reliving rhythm rhythmic Romeo Romeo and Juliet Sam Shepard seam sentence set the scene Shakespeare shape single image slow snake handling sound sense space specific spondee stage syllables talk tell the story telling a story theater Titania transition trochee Tybalt voice Wesley Weston words