Acting Narrative Speeches: The Actor as StorytellerMeriwether Pub., 2002 - Počet stran: 445 Narrative speeches, both classical and contemporary, are used to reveal how an actor can discover the inherent energy, the essence and the subtextual colours of every word and sentences of a dramatic speech. This book clearly demonstrates that any memorable performance needs far more than acting technique alone. In eighteen chapters actor/director/teacher McDonough defines in depth how an actor can find the often overlooked subtleties that create characters with dimension and moments of heightened reality. |
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Výsledky 1-3 z 30
Strana 18
... conjure bring to sensuous life the sights and sounds which are the tomb , can make the audience smell the stench , feel the festering on its skin . The word " conjure " is used advisedly : the actor conjures as a shaman does , making ...
... conjure bring to sensuous life the sights and sounds which are the tomb , can make the audience smell the stench , feel the festering on its skin . The word " conjure " is used advisedly : the actor conjures as a shaman does , making ...
Strana 107
... conjure anything . When Puntila proudly pointed out a " tugboat with a chest like a bulldog , " his chest gestured as if it had become the boat's prow ( see 3.16 ) . When you used your hand and , alternatively , your whole body to image ...
... conjure anything . When Puntila proudly pointed out a " tugboat with a chest like a bulldog , " his chest gestured as if it had become the boat's prow ( see 3.16 ) . When you used your hand and , alternatively , your whole body to image ...
Strana 178
... conjure their entrance into the scene . Perhaps we can say that rhythm embodies the energy and motion of an event : snowfall or squirrel , carefree Eve or stealthy serpent , old dog or frisky pup , busy folk rushing through life or ...
... conjure their entrance into the scene . Perhaps we can say that rhythm embodies the energy and motion of an event : snowfall or squirrel , carefree Eve or stealthy serpent , old dog or frisky pup , busy folk rushing through life or ...
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acceleration acting action actor Agamemnon Appendix Athi audience beginning body build caesura central moment chair character character's choices circumstances climax Clytemnestra conjure create deceleration develop draft E.E. Cummings emotional emphasize endwords energy example explore expressive eyes fade father feel feet from/to gesture Gus Edwards Hamlet hand happened hear Hotspur I'm Not Rappaport Imagine implicit scene impulses indirect quote inner conflict inside the story Juliet language layered look metaphor moments Monologues move movement narrative speeches onomatopoeia onomatopoetic opposites performance phrase physical play point of view possible pullback Puntila rehearsal reliving rhythm rhythmic Romeo Romeo and Juliet Sam Shepard seam sentence set the scene Shakespeare shape single image slow snake handling sound sense space specific spondee stage syllables talk tell the story telling a story theater Titania transition trochee Tybalt voice Wesley Weston words