Acting Narrative Speeches: The Actor as StorytellerMeriwether Pub., 2002 - Počet stran: 445 Narrative speeches, both classical and contemporary, are used to reveal how an actor can discover the inherent energy, the essence and the subtextual colours of every word and sentences of a dramatic speech. This book clearly demonstrates that any memorable performance needs far more than acting technique alone. In eighteen chapters actor/director/teacher McDonough defines in depth how an actor can find the often overlooked subtleties that create characters with dimension and moments of heightened reality. |
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Výsledky 1-3 z 81
Strana 204
... energy without any transition . More commonly , a character fades from one energy to another : this takes both actor and audience through intermediate stages that make visible ( and audible ) how the change occurs . Fading is the first ...
... energy without any transition . More commonly , a character fades from one energy to another : this takes both actor and audience through intermediate stages that make visible ( and audible ) how the change occurs . Fading is the first ...
Strana 243
... energy abruptly , right at the seam . 12.15 Situate yourself so that you feel " real peaceful . " Then , like a bolt , it strikes you that this piece of land belongs to you . Try changing your physical position along with your vocal energy ...
... energy abruptly , right at the seam . 12.15 Situate yourself so that you feel " real peaceful . " Then , like a bolt , it strikes you that this piece of land belongs to you . Try changing your physical position along with your vocal energy ...
Strana 245
... energy is that the old energy hangs over into a new section of text . This is a truthful phenomenon , since it takes a while for strong energies to wane . Such a lingering effect helps to convince the audience that your character was ...
... energy is that the old energy hangs over into a new section of text . This is a truthful phenomenon , since it takes a while for strong energies to wane . Such a lingering effect helps to convince the audience that your character was ...
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acceleration acting action actor Agamemnon Appendix Athi audience beginning body build caesura central moment chair character character's choices circumstances climax Clytemnestra conjure create deceleration develop draft E.E. Cummings emotional emphasize endwords energy example explore expressive eyes fade father feel feet from/to gesture Gus Edwards Hamlet hand happened hear Hotspur I'm Not Rappaport Imagine implicit scene impulses indirect quote inner conflict inside the story Juliet language layered look metaphor moments Monologues move movement narrative speeches onomatopoeia onomatopoetic opposites performance phrase physical play point of view possible pullback Puntila rehearsal reliving rhythm rhythmic Romeo Romeo and Juliet Sam Shepard seam sentence set the scene Shakespeare shape single image slow snake handling sound sense space specific spondee stage syllables talk tell the story telling a story theater Titania transition trochee Tybalt voice Wesley Weston words