Acting Narrative Speeches: The Actor as StorytellerMeriwether Pub., 2002 - Počet stran: 445 Narrative speeches, both classical and contemporary, are used to reveal how an actor can discover the inherent energy, the essence and the subtextual colours of every word and sentences of a dramatic speech. This book clearly demonstrates that any memorable performance needs far more than acting technique alone. In eighteen chapters actor/director/teacher McDonough defines in depth how an actor can find the often overlooked subtleties that create characters with dimension and moments of heightened reality. |
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Strana 3
... explore narrative speeches may also use the book to structure their work . Many actors may wish to explore narrative speeches on their own , and I have written the book for them as well . New topics are introduced by multiple examples ...
... explore narrative speeches may also use the book to structure their work . Many actors may wish to explore narrative speeches on their own , and I have written the book for them as well . New topics are introduced by multiple examples ...
Strana 57
... Explore several locations and a variety of physical positions . Put the motion of the model planes in different parts of your body . · • What other point of view besides Wesley's might you explore ? Precisely how do the planes move ...
... Explore several locations and a variety of physical positions . Put the motion of the model planes in different parts of your body . · • What other point of view besides Wesley's might you explore ? Precisely how do the planes move ...
Strana 330
... explored a new pair of opposites and played half of your text . Or you can use a single - image format to ground you in the opposite energy that you want to explore . In A Streetcar Named Desire , Blanche DuBois tells the story of her ...
... explored a new pair of opposites and played half of your text . Or you can use a single - image format to ground you in the opposite energy that you want to explore . In A Streetcar Named Desire , Blanche DuBois tells the story of her ...
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acceleration acting action actor Agamemnon Appendix Athi audience beginning body build caesura central moment chair character character's choices circumstances climax Clytemnestra conjure create deceleration develop draft E.E. Cummings emotional emphasize endwords energy example explore expressive eyes fade father feel feet from/to gesture Gus Edwards Hamlet hand happened hear Hotspur I'm Not Rappaport Imagine implicit scene impulses indirect quote inner conflict inside the story Juliet language layered look metaphor moments Monologues move movement narrative speeches onomatopoeia onomatopoetic opposites performance phrase physical play point of view possible pullback Puntila rehearsal reliving rhythm rhythmic Romeo Romeo and Juliet Sam Shepard seam sentence set the scene Shakespeare shape single image slow snake handling sound sense space specific spondee stage syllables talk tell the story telling a story theater Titania transition trochee Tybalt voice Wesley Weston words