Acting Narrative Speeches: The Actor as StorytellerMeriwether Pub., 2002 - Počet stran: 445 Narrative speeches, both classical and contemporary, are used to reveal how an actor can discover the inherent energy, the essence and the subtextual colours of every word and sentences of a dramatic speech. This book clearly demonstrates that any memorable performance needs far more than acting technique alone. In eighteen chapters actor/director/teacher McDonough defines in depth how an actor can find the often overlooked subtleties that create characters with dimension and moments of heightened reality. |
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Strana 333
... layering . You've probably seen one of those schematic drawings of the different layers of sediment and rock that lie ... layered with sadness . We all learn how to read such terrain , how to see through the surface to what lies below ...
... layering . You've probably seen one of those schematic drawings of the different layers of sediment and rock that lie ... layered with sadness . We all learn how to read such terrain , how to see through the surface to what lies below ...
Strana 347
... layering one opposite under the other . Suppose that Z surfaces and you realize that it must be a substratum under the ... layered under moments of villainy . Staying in touch with Richard's pain makes it possible for the actor to ...
... layering one opposite under the other . Suppose that Z surfaces and you realize that it must be a substratum under the ... layered under moments of villainy . Staying in touch with Richard's pain makes it possible for the actor to ...
Strana 435
... layered version of first speech ( A group : Begin work on your second speech opposites and on the third speech ) [ For each layered speech , two students might be assigned to give feedback by identifying the moments that define for them ...
... layered version of first speech ( A group : Begin work on your second speech opposites and on the third speech ) [ For each layered speech , two students might be assigned to give feedback by identifying the moments that define for them ...
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acceleration acting action actor Agamemnon Appendix Athi audience beginning body build caesura central moment chair character character's choices circumstances climax Clytemnestra conjure create deceleration develop draft E.E. Cummings emotional emphasize endwords energy example explore expressive eyes fade father feel feet from/to gesture Gus Edwards Hamlet hand happened hear Hotspur I'm Not Rappaport Imagine implicit scene impulses indirect quote inner conflict inside the story Juliet language layered look metaphor moments Monologues move movement narrative speeches onomatopoeia onomatopoetic opposites performance phrase physical play point of view possible pullback Puntila rehearsal reliving rhythm rhythmic Romeo Romeo and Juliet Sam Shepard seam sentence set the scene Shakespeare shape single image slow snake handling sound sense space specific spondee stage syllables talk tell the story telling a story theater Titania transition trochee Tybalt voice Wesley Weston words