Acting Narrative Speeches: The Actor as StorytellerMeriwether Pub., 2002 - Počet stran: 445 Narrative speeches, both classical and contemporary, are used to reveal how an actor can discover the inherent energy, the essence and the subtextual colours of every word and sentences of a dramatic speech. This book clearly demonstrates that any memorable performance needs far more than acting technique alone. In eighteen chapters actor/director/teacher McDonough defines in depth how an actor can find the often overlooked subtleties that create characters with dimension and moments of heightened reality. |
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Strana 72
... metaphor . - - Metaphor is not simply poetic language for heightened occasions ; it is , quite fundamentally , how we think . It is the essential act of art - plays and novels , for example , are metaphors of experience — and science ...
... metaphor . - - Metaphor is not simply poetic language for heightened occasions ; it is , quite fundamentally , how we think . It is the essential act of art - plays and novels , for example , are metaphors of experience — and science ...
Strana 118
... metaphor will do . Metaphors may also be suggested by research , or by directors and fellow actors . The most apt metaphors are likely to come from the playwright , whether they are in the speech you're working on or elsewhere in the ...
... metaphor will do . Metaphors may also be suggested by research , or by directors and fellow actors . The most apt metaphors are likely to come from the playwright , whether they are in the speech you're working on or elsewhere in the ...
Strana 307
... metaphorical inspiration , don't convert it into an abstract idea or a psychological concept . Analyzing a metaphor in this way reduces it to its " meaning , " and while this may give you insight , you will be no farther along in ...
... metaphorical inspiration , don't convert it into an abstract idea or a psychological concept . Analyzing a metaphor in this way reduces it to its " meaning , " and while this may give you insight , you will be no farther along in ...
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acceleration acting action actor Agamemnon Appendix Athi audience beginning body build caesura central moment chair character character's choices circumstances climax Clytemnestra conjure create deceleration develop draft E.E. Cummings emotional emphasize endwords energy example explore expressive eyes fade father feel feet from/to gesture Gus Edwards Hamlet hand happened hear Hotspur I'm Not Rappaport Imagine implicit scene impulses indirect quote inner conflict inside the story Juliet language layered look metaphor moments Monologues move movement narrative speeches onomatopoeia onomatopoetic opposites performance phrase physical play point of view possible pullback Puntila rehearsal reliving rhythm rhythmic Romeo Romeo and Juliet Sam Shepard seam sentence set the scene Shakespeare shape single image slow snake handling sound sense space specific spondee stage syllables talk tell the story telling a story theater Titania transition trochee Tybalt voice Wesley Weston words