Acting Narrative Speeches: The Actor as StorytellerMeriwether Pub., 2002 - Počet stran: 445 Narrative speeches, both classical and contemporary, are used to reveal how an actor can discover the inherent energy, the essence and the subtextual colours of every word and sentences of a dramatic speech. This book clearly demonstrates that any memorable performance needs far more than acting technique alone. In eighteen chapters actor/director/teacher McDonough defines in depth how an actor can find the often overlooked subtleties that create characters with dimension and moments of heightened reality. |
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Výsledky 1-3 z 47
Strana 64
... night at the Olde Dixie Hotel What a night they had ! The question is , what kind of a night did they have ? The text doesn't say , but an actor , unless she decides that Betty is being deliberately mysterious , must make a choice . It ...
... night at the Olde Dixie Hotel What a night they had ! The question is , what kind of a night did they have ? The text doesn't say , but an actor , unless she decides that Betty is being deliberately mysterious , must make a choice . It ...
Strana 146
... Night " is remarkable for how vividly it appeals to the senses with visual , aural and tactile images — and thereby conjures a lovers ' tryst . Meeting at Night The gray sea and the long black land ; And the yellow half - moon large and ...
... Night " is remarkable for how vividly it appeals to the senses with visual , aural and tactile images — and thereby conjures a lovers ' tryst . Meeting at Night The gray sea and the long black land ; And the yellow half - moon large and ...
Strana 411
... night ( R & J , II , iii ) You might use the same pitches for each pair of opposites : high - low , high - low . Or ... night ! Good night ! Parting is such 411 If You Are Working on a Speech by Shakespeare.
... night ( R & J , II , iii ) You might use the same pitches for each pair of opposites : high - low , high - low . Or ... night ! Good night ! Parting is such 411 If You Are Working on a Speech by Shakespeare.
Běžně se vyskytující výrazy a sousloví
acceleration acting action actor Agamemnon Appendix Athi audience beginning body build caesura central moment chair character character's choices circumstances climax Clytemnestra conjure create deceleration develop draft E.E. Cummings emotional emphasize endwords energy example explore expressive eyes fade father feel feet from/to gesture Gus Edwards Hamlet hand happened hear Hotspur I'm Not Rappaport Imagine implicit scene impulses indirect quote inner conflict inside the story Juliet language layered look metaphor moments Monologues move movement narrative speeches onomatopoeia onomatopoetic opposites performance phrase physical play point of view possible pullback Puntila rehearsal reliving rhythm rhythmic Romeo Romeo and Juliet Sam Shepard seam sentence set the scene Shakespeare shape single image slow snake handling sound sense space specific spondee stage syllables talk tell the story telling a story theater Titania transition trochee Tybalt voice Wesley Weston words