Acting Narrative Speeches: The Actor as StorytellerMeriwether Pub., 2002 - Počet stran: 445 Narrative speeches, both classical and contemporary, are used to reveal how an actor can discover the inherent energy, the essence and the subtextual colours of every word and sentences of a dramatic speech. This book clearly demonstrates that any memorable performance needs far more than acting technique alone. In eighteen chapters actor/director/teacher McDonough defines in depth how an actor can find the often overlooked subtleties that create characters with dimension and moments of heightened reality. |
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Strana 170
... rhythmic , it is iambic pentameter the meter which Shakespeare used and a natural rhythm for English speakers . - as Rhythm is everywhere because it is quite literally organic organic as the heartbeat and the in - and - out of breath .
... rhythmic , it is iambic pentameter the meter which Shakespeare used and a natural rhythm for English speakers . - as Rhythm is everywhere because it is quite literally organic organic as the heartbeat and the in - and - out of breath .
Strana 175
... rhythm of “ one day anyone died i guess " ? This line should catch the audience by surprise . 10.15 What is the rhythm of the second line ? This rhythm is ... rhythmic contrast . The Span of Life The old dog barks backward without 175 Rhythm.
... rhythm of “ one day anyone died i guess " ? This line should catch the audience by surprise . 10.15 What is the rhythm of the second line ? This rhythm is ... rhythmic contrast . The Span of Life The old dog barks backward without 175 Rhythm.
Strana 198
... rhythms ? How can you put these rhythms into your body ? The energy of each rhythm should be in your muscles , even if you are still . Guidelines Rhythm is another way in which sound sense makes audible what is happening in the story ...
... rhythms ? How can you put these rhythms into your body ? The energy of each rhythm should be in your muscles , even if you are still . Guidelines Rhythm is another way in which sound sense makes audible what is happening in the story ...
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acceleration acting action actor Agamemnon Appendix Athi audience beginning body build caesura central moment chair character character's choices circumstances climax Clytemnestra conjure create deceleration develop draft E.E. Cummings emotional emphasize endwords energy example explore expressive eyes fade father feel feet from/to gesture Gus Edwards Hamlet hand happened hear Hotspur I'm Not Rappaport Imagine implicit scene impulses indirect quote inner conflict inside the story Juliet language layered look metaphor moments Monologues move movement narrative speeches onomatopoeia onomatopoetic opposites performance phrase physical play point of view possible pullback Puntila rehearsal reliving rhythm rhythmic Romeo Romeo and Juliet Sam Shepard seam sentence set the scene Shakespeare shape single image slow snake handling sound sense space specific spondee stage syllables talk tell the story telling a story theater Titania transition trochee Tybalt voice Wesley Weston words