Acting Narrative Speeches: The Actor as StorytellerMeriwether Pub., 2002 - Počet stran: 445 Narrative speeches, both classical and contemporary, are used to reveal how an actor can discover the inherent energy, the essence and the subtextual colours of every word and sentences of a dramatic speech. This book clearly demonstrates that any memorable performance needs far more than acting technique alone. In eighteen chapters actor/director/teacher McDonough defines in depth how an actor can find the often overlooked subtleties that create characters with dimension and moments of heightened reality. |
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Výsledky 1-3 z 68
Strana 67
... starts to laugh ; · • you start ducking and dodging ; • you stand there frozen and wads of newspaper bounce off you ; • you pick up a couple of paper " rocks " and fling them back ; • someone hits you with a handful of something gross ...
... starts to laugh ; · • you start ducking and dodging ; • you stand there frozen and wads of newspaper bounce off you ; • you pick up a couple of paper " rocks " and fling them back ; • someone hits you with a handful of something gross ...
Strana 209
... starts to move about , becoming more and more agitated until finally he is bouncing around the kitchen like a ... Start with this text and then do the rest of the fade without words . Your movement will develop in response to the stages ...
... starts to move about , becoming more and more agitated until finally he is bouncing around the kitchen like a ... Start with this text and then do the rest of the fade without words . Your movement will develop in response to the stages ...
Strana 386
... start repeating it back to him . Pointing at your head first then pointing down to him on the street . He starts to nod his head and smiles as though you've finally got the message . But you're still not clear what he means . You pry ...
... start repeating it back to him . Pointing at your head first then pointing down to him on the street . He starts to nod his head and smiles as though you've finally got the message . But you're still not clear what he means . You pry ...
Běžně se vyskytující výrazy a sousloví
acceleration acting action actor Agamemnon Appendix Athi audience beginning body build caesura central moment chair character character's choices circumstances climax Clytemnestra conjure create deceleration develop draft E.E. Cummings emotional emphasize endwords energy example explore expressive eyes fade father feel feet from/to gesture Gus Edwards Hamlet hand happened hear Hotspur I'm Not Rappaport Imagine implicit scene impulses indirect quote inner conflict inside the story Juliet language layered look metaphor moments Monologues move movement narrative speeches onomatopoeia onomatopoetic opposites performance phrase physical play point of view possible pullback Puntila rehearsal reliving rhythm rhythmic Romeo Romeo and Juliet Sam Shepard seam sentence set the scene Shakespeare shape single image slow snake handling sound sense space specific spondee stage syllables talk tell the story telling a story theater Titania transition trochee Tybalt voice Wesley Weston words