Acting Narrative Speeches: The Actor as StorytellerMeriwether Pub., 2002 - Počet stran: 445 Narrative speeches, both classical and contemporary, are used to reveal how an actor can discover the inherent energy, the essence and the subtextual colours of every word and sentences of a dramatic speech. This book clearly demonstrates that any memorable performance needs far more than acting technique alone. In eighteen chapters actor/director/teacher McDonough defines in depth how an actor can find the often overlooked subtleties that create characters with dimension and moments of heightened reality. |
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Strana 157
... suggesting smallness , but the sound - sensitive actor can give voice to the playwright's impulse to make this phrase tiny ... suggest that the phrase should sound small . Try this . 9.26 By contrast , " whole blanket of white snow " is ...
... suggesting smallness , but the sound - sensitive actor can give voice to the playwright's impulse to make this phrase tiny ... suggest that the phrase should sound small . Try this . 9.26 By contrast , " whole blanket of white snow " is ...
Strana 239
... suggest B , and go directly from A to B. What is happening in A may instinctively suggest what happens in B. The next moment is often implicit in the action , the physicality , the energy of the present moment . - When exploring a ...
... suggest B , and go directly from A to B. What is happening in A may instinctively suggest what happens in B. The next moment is often implicit in the action , the physicality , the energy of the present moment . - When exploring a ...
Strana 241
... suggest to you about how to play the next moment , in which the angel speaks to her ? What happens to the wings gesture ? How might B then develop into C , Joan's physical response to what the angel asks of her ? Explore how you might ...
... suggest to you about how to play the next moment , in which the angel speaks to her ? What happens to the wings gesture ? How might B then develop into C , Joan's physical response to what the angel asks of her ? Explore how you might ...
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acceleration acting action actor Agamemnon Appendix Athi audience beginning body build caesura central moment chair character character's choices circumstances climax Clytemnestra conjure create deceleration develop draft E.E. Cummings emotional emphasize endwords energy example explore expressive eyes fade father feel feet from/to gesture Gus Edwards Hamlet hand happened hear Hotspur I'm Not Rappaport Imagine implicit scene impulses indirect quote inner conflict inside the story Juliet language layered look metaphor moments Monologues move movement narrative speeches onomatopoeia onomatopoetic opposites performance phrase physical play point of view possible pullback Puntila rehearsal reliving rhythm rhythmic Romeo Romeo and Juliet Sam Shepard seam sentence set the scene Shakespeare shape single image slow snake handling sound sense space specific spondee stage syllables talk tell the story telling a story theater Titania transition trochee Tybalt voice Wesley Weston words