Acting Narrative Speeches: The Actor as StorytellerMeriwether Pub., 2002 - Počet stran: 445 Narrative speeches, both classical and contemporary, are used to reveal how an actor can discover the inherent energy, the essence and the subtextual colours of every word and sentences of a dramatic speech. This book clearly demonstrates that any memorable performance needs far more than acting technique alone. In eighteen chapters actor/director/teacher McDonough defines in depth how an actor can find the often overlooked subtleties that create characters with dimension and moments of heightened reality. |
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Výsledky 1-3 z 64
Strana 136
... whole of my thoughts . Vanished . The whole of my feelings . Vanished . The whole of my self . Vanished . The whole of what I call myself . Vanished . The whole of my body was left . ( Excerpt 23 , Appendix A ) still tugging at the vein ...
... whole of my thoughts . Vanished . The whole of my feelings . Vanished . The whole of my self . Vanished . The whole of what I call myself . Vanished . The whole of my body was left . ( Excerpt 23 , Appendix A ) still tugging at the vein ...
Strana 318
... whole speech fromt he point of view of your opposite as if this very different direction were the whole truth . • Avoid I - don't - care , it - doesn't - bother - me , I'm - on - top - of - it choices like the plague . Your character ...
... whole speech fromt he point of view of your opposite as if this very different direction were the whole truth . • Avoid I - don't - care , it - doesn't - bother - me , I'm - on - top - of - it choices like the plague . Your character ...
Strana 376
... whole of me vanished . The whole of my thoughts . Vanished . The whole of my feelings . Vanished . The whole of my self . Vanished . The whole of what I call myself . Vanished . The whole of my body was left . 24. Tennessee Williams ...
... whole of me vanished . The whole of my thoughts . Vanished . The whole of my feelings . Vanished . The whole of my self . Vanished . The whole of what I call myself . Vanished . The whole of my body was left . 24. Tennessee Williams ...
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acceleration acting action actor Agamemnon Appendix Athi audience beginning body build caesura central moment chair character character's choices circumstances climax Clytemnestra conjure create deceleration develop draft E.E. Cummings emotional emphasize endwords energy example explore expressive eyes fade father feel feet from/to gesture Gus Edwards Hamlet hand happened hear Hotspur I'm Not Rappaport Imagine implicit scene impulses indirect quote inner conflict inside the story Juliet language layered look metaphor moments Monologues move movement narrative speeches onomatopoeia onomatopoetic opposites performance phrase physical play point of view possible pullback Puntila rehearsal reliving rhythm rhythmic Romeo Romeo and Juliet Sam Shepard seam sentence set the scene Shakespeare shape single image slow snake handling sound sense space specific spondee stage syllables talk tell the story telling a story theater Titania transition trochee Tybalt voice Wesley Weston words