Shakespeare's Patterns of Self-knowledge |
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Obsah
HUMANISM AND ANTIHUMANISM | 10 |
Charting New Courses | 26 |
Framing the Picture of Man | 43 |
Losing and Finding Oneself | 62 |
Seeking Oneself | 78 |
Looking into the Mirror of Grief | 97 |
Patterning after Perfection | 113 |
Taking a Skeptic View | 131 |
Fragmenting a Divided Self | 195 |
Looking into Oneself | 217 |
Heightening the Self | 239 |
Subjecting the Self | 281 |
Stripping the Self | 305 |
Losing the Self | 327 |
The Mastered Self | 356 |
What is a man? | 387 |
Taking an Uncertain Road | 150 |
Probing a Restless Self | 172 |
What a piece of work is a man | 399 |
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action Angelo Antipholus appears baroque becomes Berowne body Brutus Brutus's called Cassius chap character Christian humanists Cicero Comedy of Errors concept contrast Cordelia courtiers critics danger death decorum Desdemona divine doth dramatic duke earlier Edgar Elizabethan emotions Erasmus ethical evil fear feeling frame Gloucester grief Hamlet Henry human Iago Iago's idea ideal intellectual Julius Caesar kind king knowledge later Lear Lear's lose Love's Labor's Lost Lucrece Macbeth Machiavelli madness man's mannerist Measure for Measure merely microcosm mind mirror Montaigne moral moralists murder nature nosce teipsum noted Othello Palingenius paradox passion patience patterns of self-knowledge philosophical play Primaudaye prince Prospero question reason Renaissance Richard Richard II role scene self-loss sense Shake Shakespeare skeptic soliloquy soul speare's speech spirit Stoic suffering Tarquin temperance Tempest theme things thou thought tion tragedy tragic heroes trans Troilus and Cressida true truth Ulysses virtue words