The Circle of Our Vision: Dante's Presence in English Romantic PoetryClarendon Press, 1994 - Počet stran: 267 The sudden and spectacular growth in Dante's popularity in England at the end of the eighteenth century was immensely influential for English writers of the period. But the impact of Dante on English writers has rarely been analysed and its history has been little understood. Byron, Shelley, Keats, Coleridge, Blake, and Wordsworth all wrote or painted while Dante's work - its style, project, and achievement commanded their attention and provoked their disagreement. The Circle of Our Vision discusses each of these writers in detail, assessing the nature of their engagement with the Divine Comedy and the consequences for their own work. It explores how Romantic poets understood Dante, what they valued in his poetry and why, and sets them in the context of contemporary commentators, translators, and illustrators (including Henry Fuseli and John Flaxman), both in England and Europe. Romantic readings of the Divine Comedy are shown to disturb our own ideas about Dante, which are based on Victorian and Modernist assumptions. An important contribution to Romantic and Dante scholarship, The Circle of Our Vision also presents a reconsideration of the concept of 'influence' in general, using the example of Dante's presence in Romantic poetry to challenge Harold Bloom's belief that the relations between poets are invariably a fight to the death. |
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Strana 120
... Keats's earlier work , therefore , attempts to forget the arti- ficiality of poetry . Keats's rereading of Dante in the summer of 1819 ( using a copy of the original Italian for the first time ) con- tributed to his rewriting of ...
... Keats's earlier work , therefore , attempts to forget the arti- ficiality of poetry . Keats's rereading of Dante in the summer of 1819 ( using a copy of the original Italian for the first time ) con- tributed to his rewriting of ...
Strana 124
... Keats's sonnet , ' This pleasant tale is like a little copse ' ( written in February 1817 , probably a month before ' On The Story of Rimini ' ) finds for the reader of the medieval poem a similar ' region of his own ' . Keats , however ...
... Keats's sonnet , ' This pleasant tale is like a little copse ' ( written in February 1817 , probably a month before ' On The Story of Rimini ' ) finds for the reader of the medieval poem a similar ' region of his own ' . Keats , however ...
Strana 129
... Keats's part to separate himself from the processes he describes.23 The new poem will make him invulner- able to ... Keats's reading of Milton's ' sublime pathetic ' and his reading of Cary . Keats writes in his edition of Paradise Lost ...
... Keats's part to separate himself from the processes he describes.23 The new poem will make him invulner- able to ... Keats's reading of Milton's ' sublime pathetic ' and his reading of Cary . Keats writes in his edition of Paradise Lost ...
Obsah
Illustrating Dante | 39 |
Symbols in | 68 |
Morti li morti e i vivi parean | 119 |
Autorská práva | |
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The Circle of Our Vision: Dante's Presence in English Romantic Poetry Ralph Pite Zobrazení fragmentů - 1994 |
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Odkazy na tuto knihu
Routledge Encyclopedia of Translation Studies Mona Baker,Kirsten Malmkjær Náhled není k dispozici. - 1998 |
Leigh Hunt and the London Literary Scene: A Reception History of his Major ... Michael Eberle-Sinatra Náhled není k dispozici. - 2005 |