The Circle of Our Vision: Dante's Presence in English Romantic PoetryClarendon Press, 1994 - Počet stran: 267 The sudden and spectacular growth in Dante's popularity in England at the end of the eighteenth century was immensely influential for English writers of the period; yet his impact on English writers has rarely been analyzed and its history has been little understood. Byron, Shelley, Keats, Coleridge, Blake, and Wordsworth all wrote and painted while Dante's work--its style, project, and achievement--commanded their attention and provoked their disagreement. The Circle of Our Vision discusses each of these writers in detail, assessing the nature of their engagement with the Divine Comedy and the consequences for their own writing. |
Vyhledávání v knize
Výsledky 1-3 z 34
Strana 8
... Interest in non - classical literatures ( Scandinavian , Old High German , Medieval English and Italian , Oriental ) bears witness to the continuance of the desires that prompted Gray's reading in Welsh and Gaelic . These impulses do ...
... Interest in non - classical literatures ( Scandinavian , Old High German , Medieval English and Italian , Oriental ) bears witness to the continuance of the desires that prompted Gray's reading in Welsh and Gaelic . These impulses do ...
Strana 23
... interest in the poem from what Dante sees and who he meets to the process of seeing and meeting , the didacticism that Warton looked for is replaced by the pleasure and interest that are considered to be inherent in imaginative ...
... interest in the poem from what Dante sees and who he meets to the process of seeing and meeting , the didacticism that Warton looked for is replaced by the pleasure and interest that are considered to be inherent in imaginative ...
Strana 139
... interest in view : ' Are ye aware , that he who comes behind Moves what he touches ? The feet of the dead Are not so wont . ' My trusty guide , who now Stood near his breast , where the two natures join , Thus made reply : ' He is ...
... interest in view : ' Are ye aware , that he who comes behind Moves what he touches ? The feet of the dead Are not so wont . ' My trusty guide , who now Stood near his breast , where the two natures join , Thus made reply : ' He is ...
Obsah
Illustrating Dante | 39 |
Symbols in | 68 |
Morti li morti e i vivi parean | 119 |
Autorská práva | |
Další části 4 nejsou zobrazeny.
Další vydání - Zobrazit všechny
The Circle of Our Vision: Dante's Presence in English Romantic Poetry Ralph Pite Zobrazení fragmentů - 1994 |
Běžně se vyskytující výrazy a sousloví
allegory appear argues attention Beatrice becomes Blake Blake's Blake's illustrations Boyd Byron Cambridge canto Cary Cary's translation circle Coleridge Coleridge's Commedia continues contrast creates Critical damned Dante Alighieri Dante and Virgil Dante's Dantean divine Divine Comedy Don Juan Earthly Paradise English Essays eternal exile eyes Fall of Hyperion Farinata feelings Flaxman's Friend Fuseli's gentleness Heaven Hell Henry Fuseli human Hunt's ibid imagination implies Inferno Italian John John Keats Juan's judgement Keats Keats's Leila light lines London McGann Milton narrator nature numbers Oxford Paolo and Francesca passage pause perception poem poet poetic poetry political Purgatorio reader reading reveals rhyme Rimini Rollins Romantic Rousseau S. T. Coleridge Sapegno Schlegel seems sense Shelley Shelley's sorrow soul stanza Story of Rimini sublime symbolic sympathy T. S. Eliot terza rima thought tion Toynbee Triumph truth Ugolino Virgil vision vols waking dream Warton William Blake Wordsworth writing
Odkazy na tuto knihu
Routledge Encyclopedia of Translation Studies Mona Baker,Kirsten Malmkjær Náhled není k dispozici. - 1998 |
Leigh Hunt and the London Literary Scene: A Reception History of his Major ... Michael Eberle-Sinatra Náhled není k dispozici. - 2005 |