The Circle of Our Vision: Dante's Presence in English Romantic PoetryClarendon Press, 1994 - Počet stran: 267 The sudden and spectacular growth in Dante's popularity in England at the end of the eighteenth century was immensely influential for English writers of the period. But the impact of Dante on English writers has rarely been analysed and its history has been little understood. Byron, Shelley, Keats, Coleridge, Blake, and Wordsworth all wrote or painted while Dante's work - its style, project, and achievement commanded their attention and provoked their disagreement. The Circle of Our Vision discusses each of these writers in detail, assessing the nature of their engagement with the Divine Comedy and the consequences for their own work. It explores how Romantic poets understood Dante, what they valued in his poetry and why, and sets them in the context of contemporary commentators, translators, and illustrators (including Henry Fuseli and John Flaxman), both in England and Europe. Romantic readings of the Divine Comedy are shown to disturb our own ideas about Dante, which are based on Victorian and Modernist assumptions. An important contribution to Romantic and Dante scholarship, The Circle of Our Vision also presents a reconsideration of the concept of 'influence' in general, using the example of Dante's presence in Romantic poetry to challenge Harold Bloom's belief that the relations between poets are invariably a fight to the death. |
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Strana 25
... original that was unique for the period but does so through an effort to avoid the appeal to the reader that Hazlitt regards as innate in Dante's ' intermixture of realities ' . Cary's translation arises from the suspension of private ...
... original that was unique for the period but does so through an effort to avoid the appeal to the reader that Hazlitt regards as innate in Dante's ' intermixture of realities ' . Cary's translation arises from the suspension of private ...
Strana 29
... original , however , becomes reverential when Cary ennobles the lines in which recognition occurs . Cary turns the moment of recognition into a recollection : ' But I remember'd him . ' Originally , Dante was no longer defended against ...
... original , however , becomes reverential when Cary ennobles the lines in which recognition occurs . Cary turns the moment of recognition into a recollection : ' But I remember'd him . ' Originally , Dante was no longer defended against ...
Strana 69
... original text with more attention than he had devoted to Boyd . On leaving he asked Wordsworth for a copy of the complete works and an Italian dictionary ; ten years later he could compare the original , which he quoted from memory ...
... original text with more attention than he had devoted to Boyd . On leaving he asked Wordsworth for a copy of the complete works and an Italian dictionary ; ten years later he could compare the original , which he quoted from memory ...
Obsah
Illustrating Dante | 39 |
Symbols in | 68 |
Morti li morti e i vivi parean | 119 |
Autorská práva | |
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The Circle of Our Vision: Dante's Presence in English Romantic Poetry Ralph Pite Zobrazení fragmentů - 1994 |
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Odkazy na tuto knihu
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