The Circle of Our Vision: Dante's Presence in English Romantic PoetryClarendon Press, 1994 - Počet stran: 267 The sudden and spectacular growth in Dante's popularity in England at the end of the eighteenth century was immensely influential for English writers of the period. But the impact of Dante on English writers has rarely been analysed and its history has been little understood. Byron, Shelley, Keats, Coleridge, Blake, and Wordsworth all wrote or painted while Dante's work - its style, project, and achievement commanded their attention and provoked their disagreement. The Circle of Our Vision discusses each of these writers in detail, assessing the nature of their engagement with the Divine Comedy and the consequences for their own work. It explores how Romantic poets understood Dante, what they valued in his poetry and why, and sets them in the context of contemporary commentators, translators, and illustrators (including Henry Fuseli and John Flaxman), both in England and Europe. Romantic readings of the Divine Comedy are shown to disturb our own ideas about Dante, which are based on Victorian and Modernist assumptions. An important contribution to Romantic and Dante scholarship, The Circle of Our Vision also presents a reconsideration of the concept of 'influence' in general, using the example of Dante's presence in Romantic poetry to challenge Harold Bloom's belief that the relations between poets are invariably a fight to the death. |
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Strana 84
... stanza , the sirima.27 ' M'have ' is a Sicilian verb - form and usually reserved for the first person while Dante gives the standard form , ' m'ha ' , to Morte in line fifteen . He reinvokes for his own speeches the language of the ...
... stanza , the sirima.27 ' M'have ' is a Sicilian verb - form and usually reserved for the first person while Dante gives the standard form , ' m'ha ' , to Morte in line fifteen . He reinvokes for his own speeches the language of the ...
Strana 184
... stanza flows more readily into the next : the first line of the following stanza completes the rhymes and suggests the pattern of indenting in an ' abab ' quatrain . On the other hand , the pulse of Shelley's indentation gains a mo ...
... stanza flows more readily into the next : the first line of the following stanza completes the rhymes and suggests the pattern of indenting in an ' abab ' quatrain . On the other hand , the pulse of Shelley's indentation gains a mo ...
Strana 222
... stanza's closing couplet first complete the loving detail Byron lavishes on Pedrillo's religion and then ridicule its consequences . The same obedience to upbringing that makes him die devoutly prevents him from offering any resistance ...
... stanza's closing couplet first complete the loving detail Byron lavishes on Pedrillo's religion and then ridicule its consequences . The same obedience to upbringing that makes him die devoutly prevents him from offering any resistance ...
Obsah
Illustrating Dante | 39 |
Symbols in | 68 |
Morti li morti e i vivi parean | 119 |
Autorská práva | |
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The Circle of Our Vision: Dante's Presence in English Romantic Poetry Ralph Pite Zobrazení fragmentů - 1994 |
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Odkazy na tuto knihu
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