The Circle of Our Vision: Dante's Presence in English Romantic PoetryClarendon Press, 1994 - Počet stran: 267 The sudden and spectacular growth in Dante's popularity in England at the end of the eighteenth century was immensely influential for English writers of the period; yet his impact on English writers has rarely been analyzed and its history has been little understood. Byron, Shelley, Keats, Coleridge, Blake, and Wordsworth all wrote and painted while Dante's work--its style, project, and achievement--commanded their attention and provoked their disagreement. The Circle of Our Vision discusses each of these writers in detail, assessing the nature of their engagement with the Divine Comedy and the consequences for their own writing. |
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Strana 21
... suffering as an instance rather than the specific and actual case . The relationship between reader and translation in Shelley and Medwin's version corresponds , in fact , to that between Ugolino and the dream he has while in prison ...
... suffering as an instance rather than the specific and actual case . The relationship between reader and translation in Shelley and Medwin's version corresponds , in fact , to that between Ugolino and the dream he has while in prison ...
Strana 30
... suffering he witnesses in his journey through Hell ) makes it difficult for a reader to participate in Dante's fear . In canto xxiii , Dante and Virgil seem to have escaped a crowd of enraged devils but , as they go on , Dante begins to ...
... suffering he witnesses in his journey through Hell ) makes it difficult for a reader to participate in Dante's fear . In canto xxiii , Dante and Virgil seem to have escaped a crowd of enraged devils but , as they go on , Dante begins to ...
Strana 43
... suffering perceived . His strangely cracked face seems lifeless [ ... ] yet even here Dante is passively afflicted , enduring dumbly the horror of those he sees.12 Dante's patient endurance acknowledges the horror as well as the pathos ...
... suffering perceived . His strangely cracked face seems lifeless [ ... ] yet even here Dante is passively afflicted , enduring dumbly the horror of those he sees.12 Dante's patient endurance acknowledges the horror as well as the pathos ...
Obsah
Illustrating Dante | 39 |
Symbols in | 68 |
Morti li morti e i vivi parean | 119 |
Autorská práva | |
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The Circle of Our Vision: Dante's Presence in English Romantic Poetry Ralph Pite Zobrazení fragmentů - 1994 |
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allegory appear argues attention Beatrice becomes Blake Blake's Blake's illustrations Boyd Byron Cambridge canto Cary Cary's translation circle Coleridge Coleridge's Commedia continues contrast creates Critical damned Dante Alighieri Dante and Virgil Dante's Dantean divine Divine Comedy Don Juan Earthly Paradise English Essays eternal exile eyes Fall of Hyperion Farinata feelings Flaxman's Friend Fuseli's gentleness Heaven Hell Henry Fuseli human Hunt's ibid imagination implies Inferno Italian John John Keats Juan's judgement Keats Keats's Leila light lines London McGann Milton narrator nature numbers Oxford Paolo and Francesca passage pause perception poem poet poetic poetry political Purgatorio reader reading reveals rhyme Rimini Rollins Romantic Rousseau S. T. Coleridge Sapegno Schlegel seems sense Shelley Shelley's sorrow soul stanza Story of Rimini sublime symbolic sympathy T. S. Eliot terza rima thought tion Toynbee Triumph truth Ugolino Virgil vision vols waking dream Warton William Blake Wordsworth writing
Odkazy na tuto knihu
Routledge Encyclopedia of Translation Studies Mona Baker,Kirsten Malmkjær Náhled není k dispozici. - 1998 |
Leigh Hunt and the London Literary Scene: A Reception History of his Major ... Michael Eberle-Sinatra Náhled není k dispozici. - 2005 |