Authorship and Appropriation: Writing for the Stage in England, 1660-1710Clarendon Press, 1998 - Počet stran: 304 The author argues that the period in England, from 1660 to 1710, saw the move towards modern attitudes to dramatic art. This required authors to be the sole begetters of their works. The author also explores developments in the theatrical marketplace. |
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Strana 104
... Friends in private , and disguise themselves from the Knowledge of the World by Two Letters only : part of which we shall unriddle in the following Account . ( p . 516 ) Unknown Authors . We are now come to the last Division of Authors ...
... Friends in private , and disguise themselves from the Knowledge of the World by Two Letters only : part of which we shall unriddle in the following Account . ( p . 516 ) Unknown Authors . We are now come to the last Division of Authors ...
Strana 139
... friends , fellow play- wrights , poets , and actors . The most widespread and most frequently cited in printed ... Friend . ' ' It wou'd be needless ' , he said , ' to repeat the particular Hints he gave me , or the Corrections he made ...
... friends , fellow play- wrights , poets , and actors . The most widespread and most frequently cited in printed ... Friend . ' ' It wou'd be needless ' , he said , ' to repeat the particular Hints he gave me , or the Corrections he made ...
Strana 144
... friend and adviser Thomas Cheek were mockingly dismissed as ' this new Fletcher and Beaumont ' in A Com- parison ... Friends ; who , tho ' they will not allow me the Honour of having their Names join'd with mine , cannot deprive me ...
... friend and adviser Thomas Cheek were mockingly dismissed as ' this new Fletcher and Beaumont ' in A Com- parison ... Friends ; who , tho ' they will not allow me the Honour of having their Names join'd with mine , cannot deprive me ...
Obsah
Prologue I | 11 |
The Proprieties of Appropriation | 32 |
Plagiarism and Property | 96 |
Autorská práva | |
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Account acknowledged adaptation aesthetic amateurs Aphra Behn appropriation authorship Beaumont and Fletcher Behn Bibliography borrow'd borrowing Cambridge canon Catalogue Charles Charles Gildon claim Clarendon Press collaboration collected editions Comedies Company Congreve contemporary copy Copyright Corneille critical D'Urfey dedication dramatic dramatists Duke of Guise eighteenth century Elkanah Settle English Dramatick Poets English Plays epistle folio Francis Beaumont Francis Kirkman French Gerard Langbaine Gildon Herringman History Howard John Dryden Jonson Killigrew King Kirkman Langbaine's late seventeenth late seventeenth-century Lee's literary London Love modern Molière Momus Momus Triumphans Nicholas Rowe Oedipus original Oxford Philips plagiarism Playes playwrights playwriting Plot Poems Poetical political preface première printed professional publication published quarto reader repertory Restoration revision Richard romances Scene scripts Shadwell Shadwell's Shakespeare Sir Robert Sir William sources theatre theatrical theft Thomas Thomas Killigrew Thomas Shadwell tion title-page Tragedy translation triumvirate University Press Vindication vols volume writers written
Odkazy na tuto knihu
Plagiarism and Literary Property in the Romantic Period Tilar J. Mazzeo Náhled není k dispozici. - 2013 |