William Shakespeare: The Critical Heritage Volume 4 1753-1765Brian Vickers Routledge, 1. 9. 2003 - Počet stran: 568 The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material. |
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Strana x
... actor and adapter, 1758 167 Unsigned essay, Shakespeare weighed and measured, January 1758 168 THOMAS EDWARDS on Warburton's Shakespeare, 1758 169 RICHARD RODERICK, Remarks on Shakespeare, 1758 170 ARTHUR MURPHY, Shakespeare in the ...
... actor and adapter, 1758 167 Unsigned essay, Shakespeare weighed and measured, January 1758 168 THOMAS EDWARDS on Warburton's Shakespeare, 1758 169 RICHARD RODERICK, Remarks on Shakespeare, 1758 170 ARTHUR MURPHY, Shakespeare in the ...
Strana xiii
... acting and interpretation.With this wider scope I hope to present the major materials from which one could draw a more ... actor's delivery. Literary criticism, textual criticism, scholarship, acting, adapting, book-reviewing—all these ...
... acting and interpretation.With this wider scope I hope to present the major materials from which one could draw a more ... actor's delivery. Literary criticism, textual criticism, scholarship, acting, adapting, book-reviewing—all these ...
Strana 12
... acting; but if we must needs have recourse to supposition we may as well suppose a whole day, as five hours, between each act. Surely Mr. Voltaire is but little acquainted with Shakespeare, or he who has so much taste for poetry would ...
... acting; but if we must needs have recourse to supposition we may as well suppose a whole day, as five hours, between each act. Surely Mr. Voltaire is but little acquainted with Shakespeare, or he who has so much taste for poetry would ...
Strana 15
... actors, and that the thing represented either happened before, or perhaps never happened at all. The pleasure we have ... actor. 'Tis not, then, from the interruption of deception that the bad effect[s] of such transgression of the unity ...
... actors, and that the thing represented either happened before, or perhaps never happened at all. The pleasure we have ... actor. 'Tis not, then, from the interruption of deception that the bad effect[s] of such transgression of the unity ...
Strana 19
... acting versions'.19 Yet the cuts have more significance than mere theatrical convenience. In his edition of Shakespeare Pope had written of ActV, scene iii: 'Here follows a Vision, a Masque, and a Prophecy, which interrupt the Fable ...
... acting versions'.19 Yet the cuts have more significance than mere theatrical convenience. In his edition of Shakespeare Pope had written of ActV, scene iii: 'Here follows a Vision, a Masque, and a Prophecy, which interrupt the Fable ...
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