William Shakespeare: The Critical Heritage Volume 4 1753-1765Brian Vickers Routledge, 1. 9. 2003 - Počet stran: 568 The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material. |
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Strana 8
... character that the orator and critic, Thomas Sheridan, made the first analysis of 'Hamlet's delay', as James Boswell reported in his London Journal for 6 April 1763:12 He made it clear to us that Hamlet, notwithstanding of his seeming ...
... character that the orator and critic, Thomas Sheridan, made the first analysis of 'Hamlet's delay', as James Boswell reported in his London Journal for 6 April 1763:12 He made it clear to us that Hamlet, notwithstanding of his seeming ...
Strana 9
... character accurately, clearly, and justly.' That Shakespeare satisfied the criterion of character-consistency was recognised even by Neo-classicists who faulted him on every other head. In the midst of her disapproving review of Troilus ...
... character accurately, clearly, and justly.' That Shakespeare satisfied the criterion of character-consistency was recognised even by Neo-classicists who faulted him on every other head. In the midst of her disapproving review of Troilus ...
Strana 10
... character of the queen' (No. 177). Predictably, perhaps, Mrs Lennox expresses outrage at the 'more than shocking Absurdity' of Queen Margaretjoining in the murder ofYork in 3 Henry VI, but even that liberal critic and Shakespeare lover ...
... character of the queen' (No. 177). Predictably, perhaps, Mrs Lennox expresses outrage at the 'more than shocking Absurdity' of Queen Margaretjoining in the murder ofYork in 3 Henry VI, but even that liberal critic and Shakespeare lover ...
Strana 30
... Character, and he had the Art of diversifying his Tragic Characters in a most masterly Manner.—His Madness in Lear is hardly to be described:—He there shewed the throws and Swellings of the Heart of an unhappy, proud, disappointed ...
... Character, and he had the Art of diversifying his Tragic Characters in a most masterly Manner.—His Madness in Lear is hardly to be described:—He there shewed the throws and Swellings of the Heart of an unhappy, proud, disappointed ...
Strana 31
... character (No. 141).All three are making different points, but all three merely illustrate one role. No one in this period gives an adequate account of the interplay between characters, or the structure and dynamics ofa whole scene ...
... character (No. 141).All three are making different points, but all three merely illustrate one role. No one in this period gives an adequate account of the interplay between characters, or the structure and dynamics ofa whole scene ...
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absurd actor adaptation admirable altered Antony and Cleopatra appear Arthur Murphy beauties Caliban character Cibber Cinthio circumstances comedy Cordelia Coriolanus criticism Cymbeline daughters David Garrick death Desdemona Dr Johnson dramatic e’er edition English essay excellent expression eyes father faults Garrick genius give Goneril Hamlet hath heart heav’n honour Iago idea imagination imitation Imogen judgment King Lear King’s Lady language Lear’s Leonatus Leontes Lord Macbeth madness manner merit metaphor Midsummer Night’s Dream mind Murphy nature never night o’er observe ofthe Othello passage passion performance Philario piece Play poet poet’s poetical poetry Pope Prince propriety Queen rage reader Review Richard Richard III Romeo scene sense sentiments Shakespeare shew soliloquy soul speak speech spirit stage striking taste Tate Tempest theatre thee Theophilus Cibber thou thought thro Tragedy unnatural verse Veturia Warburton Winter’s Tale words wou’d writers