William Shakespeare: The Critical Heritage Volume 4 1753-1765Brian Vickers Routledge, 1. 9. 2003 - Počet stran: 568 The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material. |
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Strana xiii
... ideas of the period determined that his plays should be changed to conform to current concepts of dramatic structure or style. These aesthetic ideas are also evident in the scholarly discussion of how he used his sources, and can be ...
... ideas of the period determined that his plays should be changed to conform to current concepts of dramatic structure or style. These aesthetic ideas are also evident in the scholarly discussion of how he used his sources, and can be ...
Strana 14
... Langhorne's conclusion, 'that the accuracy of art has always been prejudicial to works of genius, and what they have gained in correctness they have lost in spirit'. Yet new ideas do not displace old ones easily, nor 14 INTRODUCTION.
... Langhorne's conclusion, 'that the accuracy of art has always been prejudicial to works of genius, and what they have gained in correctness they have lost in spirit'. Yet new ideas do not displace old ones easily, nor 14 INTRODUCTION.
Strana 15
The Critical Heritage Volume 4 1753-1765 Brian Vickers. Yet new ideas do not displace old ones easily, nor universally.This we see from the example of Adam Smith, who discussed the Unities in some lectures which he gave in the University ...
The Critical Heritage Volume 4 1753-1765 Brian Vickers. Yet new ideas do not displace old ones easily, nor universally.This we see from the example of Adam Smith, who discussed the Unities in some lectures which he gave in the University ...
Strana 27
... idea of the intensity and involvement with which Garrick performed. Yet these energies were not without excesses. The criticisms of Garrick's acting in this period are far more detailed than the panegyrics, and even though we must ...
... idea of the intensity and involvement with which Garrick performed. Yet these energies were not without excesses. The criticisms of Garrick's acting in this period are far more detailed than the panegyrics, and even though we must ...
Strana 33
... idea to the general in the subjects of his Metaphors', as in the lines This common Body Like to a vagabond flag, upon the stream, Goes to, and back, lacquying the varying tide. In defining some characteristics in Shakespeare's style it ...
... idea to the general in the subjects of his Metaphors', as in the lines This common Body Like to a vagabond flag, upon the stream, Goes to, and back, lacquying the varying tide. In defining some characteristics in Shakespeare's style it ...
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absurd actor adaptation admirable altered Antony and Cleopatra appear Arthur Murphy beauties Caliban character Cibber Cinthio circumstances comedy Cordelia Coriolanus criticism Cymbeline daughters David Garrick death Desdemona Dr Johnson dramatic e’er edition English essay excellent expression eyes father faults Garrick genius give Goneril Hamlet hath heart heav’n honour Iago idea imagination imitation Imogen judgment King Lear King’s Lady language Lear’s Leonatus Leontes Lord Macbeth madness manner merit metaphor Midsummer Night’s Dream mind Murphy nature never night o’er observe ofthe Othello passage passion performance Philario piece Play poet poet’s poetical poetry Pope Prince propriety Queen rage reader Review Richard Richard III Romeo scene sense sentiments Shakespeare shew soliloquy soul speak speech spirit stage striking taste Tate Tempest theatre thee Theophilus Cibber thou thought thro Tragedy unnatural verse Veturia Warburton Winter’s Tale words wou’d writers