William Shakespeare: The Critical Heritage Volume 4 1753-1765Brian Vickers Routledge, 1. 9. 2003 - Počet stran: 568 The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material. |
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Strana 3
... scenes in Hamlet, as expressed in two essays by Arthur Murphy (Nos 143, 161d), by an anonymous writer in the British Magazine for 1760 (No. 182: the ghost scene is 'undoubtedly the masterpiece of poetical painting in the gloomy way ...
... scenes in Hamlet, as expressed in two essays by Arthur Murphy (Nos 143, 161d), by an anonymous writer in the British Magazine for 1760 (No. 182: the ghost scene is 'undoubtedly the masterpiece of poetical painting in the gloomy way ...
Strana 14
... scene to be altogether in one apartment? We must be sensible, if we are awake at all, that the whole representation is a fiction.And why cannot we as well follow the imagination of the poet from region to region? It is still but fiction ...
... scene to be altogether in one apartment? We must be sensible, if we are awake at all, that the whole representation is a fiction.And why cannot we as well follow the imagination of the poet from region to region? It is still but fiction ...
Strana 15
... scene and another 'is that it prevents our deception', in that after only 'half an hour in the playhouse' we cannot suppose that 'two or three years have passed'. An unexceptionable beginning: but Smith went on to reject this ...
... scene and another 'is that it prevents our deception', in that after only 'half an hour in the playhouse' we cannot suppose that 'two or three years have passed'. An unexceptionable beginning: but Smith went on to reject this ...
Strana 17
... scenes more than bear out Daniel Webb's contention that reducing action to narration results in dull and monotonous drama.When Charles Marsh made his adaptation he chose the same solution (No. 153).A new expository scene tells us of the ...
... scenes more than bear out Daniel Webb's contention that reducing action to narration results in dull and monotonous drama.When Charles Marsh made his adaptation he chose the same solution (No. 153).A new expository scene tells us of the ...
Strana 18
... scene is still shifted from one Kingdom to another', but had also retained the deaths of Mamilius, Antigonus, and the ship's crew, 'which create a confusion of tragedy and comedy, and destroy the propriety of the composition' (No. 154) ...
... scene is still shifted from one Kingdom to another', but had also retained the deaths of Mamilius, Antigonus, and the ship's crew, 'which create a confusion of tragedy and comedy, and destroy the propriety of the composition' (No. 154) ...
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